The Modern Athens: A dissection and demonstration of men and things in the Scotch Capital.Mudie, Robert
General
The Modern Athens: A dissection and demonstration of men and things in the Scotch Capital.
Mudie, Robert
Edinburgh (Scotland) -- Description and travel
While the courts are sitting it is usually as crowded as the Royal
Exchange at four o’clock, and the hum, and bustle, and eagerness, are
vastly more interesting than the solemn faces and demure looks of
the dealers in tallow and tapioca, who stand under the shadow of the
Grasshopper, with their jaws distended like a trap for foxes, and their
hands up to their elbows in their pockets, as if they could not abstain
from fumbling money, even when the precise minute of bargain has not
arrived.
It is true that you meet with no Rothschild, or any other pawnbroker
for kings, in this ancient apartment of the Scottish Parliament; but,
if you be more a lover of mind than of money, you are sure to meet with
what will please you a great deal better. Before the Judges have taken
their places in the Inner Courts, you cannot miss the tall figure, the
gleesome grey eye, the snub nose, and all the other characteristics
of the spirit of the wizard and the soul of the man, that mark Sir
Walter Scott. A dozen of chosen friends, some Whig and some Tory, hang
about him; and, as he limps along with wonderful vigour, considering
the irregularity of his legs, peals of laughter ring at every word
which he utters, and a score of fledgling Tory barristers, who have
not yet got either a place or a brief, stretch out their goose necks,
huddle round, and cackle at the echo of that which they cannot possibly
hear. In another place, or rather in all places, the Editor of the
Edinburgh Review starts about like wildfire; and unless it be when an
attorney ever and anon brings him up with the sheet-anchor of a fee
and a brief, there is no possibility of arresting his motion. He darts
aside like lightning, runs over the brief with such rapidity that you
would think he were merely counting the pages of an article for the
Edinburgh Review, and having handed it to his clerk, who seems as heavy
as himself is agile, he again darts into the throng, like an otter into
the waters, and is seen no more till he bring up another gudgeon.
Public-domain text, read in full here on John Shaqi.
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