The Modern Athens: A dissection and demonstration of men and things in the Scotch Capital.Mudie, Robert
General
The Modern Athens: A dissection and demonstration of men and things in the Scotch Capital.
Mudie, Robert
Edinburgh (Scotland) -- Description and travel
an enterprise as a winter campaign into the interior of Russia; but
the Review did not enter a caveat against such an excursion; and,
therefore, it was held as prophesying in the face of this as well as of
all the other chances.
I have noticed those circumstances with a view of showing, not only
that the absolute literary merits of the Edinburgh Review were not the
sole cause of its popularity, but that even though they had, the merit
does not in whole, or even in the greater part, belong to the Athens.
The Athens never could, of her own will, ability, and patronage,
support a single literary man; and it could not well be expected that
she could, for any length of time, support a literary work.
The first of these positions may be established by a reference to the
history of the whole literary men of the Athens, as well as to the
state which they are in at the present time; and the second, besides
being a necessary and legitimate deduction from the first, may be
confirmed by an appeal to the facts.
Allan Ramsay was the first Athenian writer, after the hiatus of which
I have spoken; and Allan addressed himself as much to the taste
and foibles of the Athens as it was possible for one of so limited
education and limited powers to do. Allan made a comfortable living;
but he did not make that as a poet; he did it, first, as a hairdresser,
and then as a bookseller, and as the keeper of a circulating library,
which, being the first of the kind in the Athens, proved a most
fortunate speculation. The works of Colin Maclaurin, and some of the
other illustrious men, of which the Athens never was worthy, were put
into circulation as much in the way of charity to their families,
as from any love for those sciences and arts of which they were the
ornaments.
Robert Ferguson was pre-eminently the poet of the Athens. Born within
her walls, he devoted his muse to the chanting of her praises; and how
did she reward her tuneful son? Why, she blamed him because he wrote
verses rather than law papers; she liked his songs, and she sung them;
but she would give him no reward for his labour; and poor Ferguson,
neglected, heart-broken, and starved, ended his days in a mad-house;
and his ungrateful step-dame, the Athens,--that city, which, if one
would be silly enough to believe her, is the model, the encourager,
and the rewarder, of all taste, would not do for him, what England,
even in her worst and most worthless times, did for the poets whom
she starved,--she would not give him a monument,--no, not so much as
an unhewn stone, to let it be known that one grave in the Canon-gate
church-yard contained holier dust than that of a baron bailie.
Public-domain text, read in full here on John Shaqi.
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