The Modern Athens: A dissection and demonstration of men and things in the Scotch Capital.Mudie, Robert
General
The Modern Athens: A dissection and demonstration of men and things in the Scotch Capital.
Mudie, Robert
Edinburgh (Scotland) -- Description and travel
Miserable, however, as is the support which the theatre of the Athens
receives, and must continue to receive, the King was constrained to
visit it; however, from the smallness of the house and the number of
those who had legal admission as immediately belonging to his retinue,
or his household, he could be for a long time gazed upon by the
chosen, without any great admixture of the mere vulgar. The play was
nothing; but there was something rather novel in the by-acting. The
great chief of Glengarry, who has made himself conspicuous in many ways
and upon many occasions, and who has proved his descent from Ronald,
the elder of the two Vikings, who came robbing and remained royal in
the Hebudæ, being thus, not only “every inch a king,” as well as George
the Fourth, but a king of a much older and a more legitimate dynasty,
stood up for the royal prerogative of wearing his bonnet, and keeping
his seat, while the band was playing, and the audience shouting, “God
save the King.” For this, he was complained of somewhat angrily, and,
in my opinion, very unjustly; for, if they played and sung “God save
the King,” in honour of George Augustus Frederick Guelph, King of Great
Britain and Hanover, then they stinted others of their due, and showed
a partiality not to be borne, when they did not strike up “God save the
Chief,” in honour of Alexander Ronaldson Macdonell, of Glengarry and
Clanronald, heir to the titles, the virtues, and the valour, of Donald
of the Isles. This was omitted, however, and so after this dramatic
scene, the Monarch of these realms staid not another hour in the
Athens; but merely rested a day in the neighbourhood, and then took
his departure, in manner as shall be set forth in another section.
THE NATIONAL MONUMENT.
“_Si monumentum queriris, Circumspice._”
Though the laying of the foundation-stone of the “National Monument of
Scotland,” is to be regarded as a mere interlude in the royal acting,
and of course as a mere parenthesis in my outline of the same, yet
it merits a few sentences, not only on account of the curiosity of
the thing itself, but because it throws some light upon the vanity
of Scottish official men in general, and upon those of the Athens in
particular.
Public-domain text, read in full here on John Shaqi.
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