The Modern Athens: A dissection and demonstration of men and things in the Scotch Capital.Mudie, Robert
General
The Modern Athens: A dissection and demonstration of men and things in the Scotch Capital.
Mudie, Robert
Edinburgh (Scotland) -- Description and travel
Notwithstanding all this, there are few places that boast more of their
improvements than the Athens; and not many in which the people have
been made to pay more upon that score. But either there has been a
total want of skill in the projectors, or a total want of economy in
those who had the execution,--if indeed there has not been both. I was
told repeatedly, that every scheme and measure to which the Athenian
authorities give the name of a public improvement, is uniformly a job
for the benefit, not of the public, but of some party or individual;
and really, comparing what is said to have been expended with what has
actually been done, I can find no other theory that will sufficiently
explain the facts. The bell-rope of the Tron-Kirk appears not to have
been the only case in which a hundred pounds’ expense has been incurred
for the purpose of saving a shilling.
Even in her public buildings, the Athens has little of which she can
boast. All the places of worship belonging to the established Kirk
are tasteless; and the most modern ones are the most so. St. Giles’
Cathedral is a black, shapeless, and ruinous mass, stuck round with
booths and police-officers; and when one has said, that the portion
of it set apart for public worship as the High Kirk, has a handsome
old roof spoiled by tasteless painting, and a square tower with an
imperial crown, which looks well at a distance, and not absolutely
ill when one is close to it,--one has about summed up the whole of
its merits. Respecting most of the other Presbyterian churches, the
less that is said the better; the Grey-Friars, situate south of the
Castle, has an interest with the more devout people of Scotland, from
the tombs of the martyrs that are in the adjoining burial-ground; and
St. George’s Church, which terminates the street of the same name,
westward, is perhaps the most expensive and unseemly abortion of modern
architecture. Public monuments in the Athens there are none, except
Nelson’s (formerly mentioned) on the Calton-Hill, and Lord Melville’s
column in St. Andrew’s Square; and it is not the fashion of the Athens
to consider her burying-grounds as sacred, or to set up memorials for
the illustrious dead. If her plan gives her as much trouble as this
would do, it is trouble of a different kind: she keeps down, as much as
she can, all those who are not either illustrious already, or have not
something to confer, as long as they are alive; and when they are dead,
she gives herself no more trouble about them.
Public-domain text, read in full here on John Shaqi.
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