The modern malady : $b or, Sufferers from "nerves"Bennett, Cyril
Science
The modern malady : $b or, Sufferers from "nerves"
Bennett, Cyril
Neurasthenia
Amongst the most serious secondary causes of nerve-deterioration in
modern times we find one to which attention has recently been drawn by
many writers of distinction. It is not merely overwork, hurry, and
excitement that are injurious to our organisms, but a lack of the
solitude and calm in which impressions are combined and ideas created.
Many of us live in the midst of such a whirl of rapidly succeeding
sights, sounds, and sensations, that only a confused recollection of
them is left in our minds. It is as though we were to eat incessantly,
leaving no leisure for digestion; as though we were so eager to know,
that we should refuse to wait to learn. We forget that the sure test of
knowledge and progress is the power to reproduce the impressions we have
assimilated; not the very elementary capability of putting down on paper
the undiluted and undigested detail which has been stuffed into the
outer chamber of our minds for that purpose. We must create; we must
see, and show to others, “the light that never was on sea or land.”
How is this to be accomplished? In attempting to answer the question,
let us consider what we do when we wish to obtain the photograph of a
face that does not exist. We photograph a number of faces one over the
other on the same plate. Is that enough? Does it suffice us to obtain a
series of impressions on our plate? No; we now need the dark room, the
developing and fixing solutions, and the presiding genius of a higher
intelligence, before we can obtain the negative of a face that never yet
was seen.
And if in this age we expose ourselves to an abundance of impressions,
but ignore or underrate the solitude of the dark room, the imaginative
faculty which combines and develops, to say nothing of the presiding
genius of a higher intelligence, what is to become of our creative
power? What, indeed, is to become of our sanity? Moreover, we must
remember that there is one great difference between ourselves and the
photographic plate. The plate is sensitised once for all; it receives
its picture and its work is done. But we are, or may be, always
absorbing into ourselves that which sensitises us more and more highly,
and of receiving more and more perfect pictures. In addition to which
great privilege, we may not only communicate to others, but eventually
hand down to others, the faculty thus obtained.
Public-domain text, read in full here on John Shaqi.
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