The railroad terminal is the city gate. Without, it rises in the superior
arrogance of white granite, as an architectural something. It has broad
portals, and through these portals a host of folk both come and go.
Within, this city gate is a thing of stupendous apartments and monumental
dimensions, a thing not to be grasped in a moment. In a single great
apartment--a vaulted room so great as to have its dimensions run into
distant vistas--are the steam caravans that come and go. It is a busy
place, a place of an infinite variety of business.
* * * * *
In the early morning the train-shed gives the first sign of the new-born
day. Before the dawn is well upon the city, the great arcs that run into
those distant vistas in wonderful symmetry are hissing and alight, and the
first of 500 incoming trains is finding its way into the gloom of the
shed. Some few trains have started out with the early mails and the
morning papers. The great rush into town is yet to begin.
Even before dawn, a thousand little homes without the city have been awake
and fretful. The gray fogs of the night lie low, and lights begin to
twinkle, lines of shuffling figures to find their way to the nearest
suburban station. It is very early morning when these begin to pass
through the city gate. The earliest suburban trains slip in from the yards
and come to a slow, grinding stop beneath the shed. Before the wheels have
ceased turning, the first of the workers is off the cars and running down
the platform. In fifteen seconds, the platform is black with men.
There are many more of these trains, a great multiplication of men within
a little time. Before seven o'clock, the trains begin to increase; to
follow more and more closely upon one another's heels. After seven, they
come still oftener; two or three of them may stop simultaneously on
different tracks under the great vault of the shed; they are heavy with
people. There is a constant clatter of engines, stamping and puffing,
dragging their heavily laden trains and snapping them quickly out of the
way of others to follow. The electric lights under the shed go out with a
protesting sputter, and you realize that the day is at hand. This mighty
army of those who live without the city walls is flocking in, in an
unceasing current now. There is an endless procession from the track
platforms; a stream of humans finding its way to the day's work.
Public-domain text, read in full here on John Shaqi.
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