The new one rises on this cleared ground and, historically as well as structurally, it differs from all the others.--In less than ten years it springs up and is finished according to a plan which, from the first day, is definite and complete. It forms one unique, vast, monumental block, in which all branches of the service are lodged under one roof; in addition to the national and general services belonging to the public power, we find here others also, local and special, which do not belong to it, such as worship, education, charity, fine arts, literature, departmental and communal interests, each installed in a distinct compartment. All the compartments are ordered and arranged alike, forming a circle around the magnificent central apartment, with which each is in communication by a bell; as soon as the bell rings and the sound spreads from division to sub-division, the entire service, from the chief clerk down to the lowest employee, is instantly in motion; in this respect the arrangement, as regards despatch, co-ordination, exactitude, and working facilities, is admirable.[2328] On the other hand, its advantages and attractions for employees and aspirants of every kind and degree are not mediocre. There is no separation between the stories, no insurmountable barrier or enclosure between large and small apartments; all, from the least to the finest, from the outside as well as from the inside, have free access. Spacious entrances around the exterior terminate in broad, well-lighted staircases open to the public; everybody can clamber up that pleases, and to mount these one must clamber; from top to bottom there is no other communication than that which they present. There is no concealed and privileged passage, no private stairway or false door; glancing along the whole rectilinear, uniform flight, we behold the innumerable body of clerks, functionaries, supernumeraries, and postulants, an entire multitude, ranged tier beyond tier and attentive; nobody advances except at the word and in his turn.--Nowhere in Europe are human lives so well regulated, within lines of demarcation so universal, so simple, and so satisfactory to the eye and to logic: the edifice in which Frenchmen are henceforth to move and act is regular from top to bottom, in its entirety as well as in its details, outside as well as inside; its stories, one above the other, are adjusted with exact symmetry; its juxtaposed masses form pendants and counterpoise; all its lines and forms, every dimension and proportion, all its props and buttresses combine, through their mutual dependencies, to compose a harmony and to maintain an equilibrium. In this respect the structure is classic, belonging to the same family of productions which the same spirit, guided by the same method, had produced in Europe for the previous one hundred and fifty years.[2329] Its analogues, in the physical order of things, are the architectural productions of Mansard, Le Notre, and