France -- Civilization; France -- Politics and government; France -- Social life and customs -- 19th century
Behold him, at last, this judge-arbitrator. On the 8th November, 1799,
he appears and takes his seat, and that very evening he goes to
work, makes his selections among the competitors and gives them their
commissions. He is a military chieftain and has installed himself;
consequently he is not dependent on a parliamentary majority, and any
insurrection or gathering of a mob is at once rendered abortive by his
troops before it is born. Street sovereignty is at an end; Parisians are
long to remember the 13th of Vendémaire and the way General Bonaparte
shot them down on the steps of Saint-Roch. All his precautions against
them are taken the first day and against all agitators whatever, against
all opponents disposed to dispute his jurisdiction. His arm-chair as
first Consul and afterwards his throne as Emperor are firmly fixed;
nobody but himself can undermine them; he is seated definitively and
will stay there. Profound silence reigns in the public crowd around
him; some among them dare whisper, but his police has its eye on them.
Instead of conforming to opinion he rules it, masters it and, if need
be, he manufactures it. Alone by himself from his seat on high,
in perfect independence and security, he announces the verdicts of
distributive justice. Nevertheless he is on his guard against the
temptations and influences which have warped the decisions of his
predecessors; in his tribunal, the schemes and intrigues which formerly
obtained credit with the people, or with the king, are no longer in
vogue; from now on, the profession of courtier or of demagogue is a
poor one.--On the one hand, there is no success, as formerly under the
monarchy, through the attentions of the ante-chamber, through elegant
manners, delicate flattery, fashionable drawing-rooms, or valets and
women on an intimate footing; mistresses here enjoy no credit and there
are neither favorites nor the favored; a valet is regarded as a useful
implement; great personages are not considered as extra-ornamental and
human furniture for the palace. Not one among them dare ask for a place
for a protégé which he is incapable of filling, an advancement which
would derange the lists of promotions, a pass over the heads of others;
if they obtain any favors, these are insignificant or political; the
master grants them as an after-thought, to rally somebody, or a party,
to his side; they personally, their ornamental culture, their high-bred
tone, their wit, their conversational powers, their smiles and bows--all
this is lost on him, or charged to account. He has no liking for their
insinuating and discreet ways;[3326] he regards them as merely good
domestics for parade; all he esteems in them is their ceremonial
significance, that innate suppleness which permits them to be at once
servile and dignified, the hereditary tact which teaches them how to
present a letter, not from hand to hand, but on the rim of a hat, or
on a silver plate, and these faculties he estimates at their true
Public-domain text, read in full here on John Shaqi.
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