_Rhetoric_, iii. 1, p. 1403 b 27 ([Greek: tonos] and [Greek: harmonia]), 15 Aristoxenus (ed. Meib.): _Harm._ p. 2, l. 15 (diagrams of [Greek: harmoniai]), 49 p. 3 (melody of speech), 115 p. 6 (nomenclature by [Greek: thesis] or position), 81 p. 6, l. 20 (species of the Octave), 50 p. 8 (speaking and singing), 115 p. 8, l. 12 (perfect System), 36 p. 18 (melody of speech), 90, 115 p. 23 (Chromatic and Enharmonic), 110 p. 26, l. 14 (Lichanos indefinite), 110 p. 27, l. 34 (diagrams), 52 p. 36, l. 29 (seven [Greek: harmoniai]), 51, 54 p. 37 ([Greek: tonoi] or keys), 17-19 p. 48, l. 13 (Lichanos indefinite), 110 p. 69, l. 6 (nomenclature by position), 81 _ibid._ (indefinite element in music), 111 Bacchius (ed. Meib.), p. 11 (topoi tês phônês), 65 p. 19 (theseis tetrachordôn), 82 Dionysius Hal.: c. 11, p. 58 Reisk. (accent and melody), 90, 115 c. 11, p. 64 Reisk. (rhythm and quantity), 115 Euclid (ed. Meib.): _Introductio_, p. 19 (ten-stringed lyre), 38 p. 20 (modulation), 104 _Sectio Canonis_, Prop. xvii, xviii, 123 Euripides, _Orest._ 338-343 (musical setting), 92, 130 Heraclides Ponticus ap. Athen. xiv. pp. 624-626 (modes), 9-11, 76 Lasus ap. Athen. xiv. p. 624 _e_ ([Greek: Aiolis harmonia]), 6 Nicomachus (ed. Meib), p. 4 (speaking and singing), 115 p. 7 (heptachord scales), 34 Pausanias, iv. 27, 4 (Sacadas and Pronomus), 75 Pherecrates ap. Plut. _de Mus._ c. 30, 38 Pindar, _Nem._ iv. 45 (Lydian), 7 Plato: _Phileb._ p. 17 ([Greek: harmonia] = System), 55 _Laches_, p. 188 (Dorian, Ionian, Phrygian, Lydian), 8 _Repub._ p. 398 (use of modes in education), 7, 8 p. 399 ([Greek: aulos--poluchordia])., 39, 41 p. 531 A (study of music), 53, 123 _Laws_, p. 669 (instrumental music), 120 p. 812 D (harmony), 122 Plutarch: _De Musica_, c. 6 ([Greek: harmoniai]), 25 cc. 15-17 (Platonic modes), 21-25, 103 c. 19 ([Greek: tonos, harmonia]), 26 _De gener. Mundi_, p. 1029 _c_ (Proslambanomenos), 39 Pollux, _Onom._ iv. 78 ([Greek: harmoniai aulêtikai]), 22, 28 Pratinas ap. Athen. xiv. p. 624 _f_ ([Greek: mête syntonon k.t.l.]), 5 Ptolemy: Harm. i. 13 (musical ratios of Archytas), 123 i. 16 ([Greek: hêgemôn]=highest note), 45 _ibid._ (scales of the cithara), 84-86, 102, 123 _ibid._ (Pythagorean division), 87 ii. 6 (modulation), 67 ii. 7 (pitch of scales), 80 ii. 16 (scales of the cithara), 84-86, 102 Seikelos inscription, 89, 132 Telestes ap. Athen. xiv. p. 625 _f_ (Phrygian and Lydian), 6 Theon Smyrnaeus, c. 8 (enlargement of scale), 37 THE END _Note on the Seikilos Inscription_ (pp. 89-91, 133).