East India Company -- Fiction; Historical fiction; India -- History -- 1526-1765 -- Fiction
"To understand what's happening, you should first know about Akman, the
one we remember now as the Great Moghul. He was the father of Arangbar,
the Moghul now. I was only a small girl when Akman died, but I still
remember my sadness, my feeling the universe would collapse. We
worshiped him almost. It's not talked about now, but the truth is Akman
didn't really want Arangbar to succeed him, nobody did. But he had no
choice. In fact, when Akman died, Arangbar's eldest son started a
rebellion to deny him the throne, but that son's troops betrayed him,
and after they surrendered Arangbar blinded him in punishment. Khusrav,
his own son. Although Prince Jadar was still only a young boy then, we
all thought after that he would be Moghul himself one day. But that was
before the Persians came to power in Agra."
"But aren't you Persian yourself?"
"I was born in India, but yes, I have the great fortune to be of
Persian blood. There are many Persians in India. You know, Persians
still intimidate the Moghuls. Ours is a magnificent culture, an ancient
culture, and Persians never let the Moghuls forget it." Shirin had
dabbed at her brow and rose to peer out the door of the observatory
building, as though by instinct. "Did you know that the first Moghul
came to India less than a hundred years ago, actually after the
Portuguese? He was named Babur, a distant descendant of the Mongol
warrior Genghis Khan, and he was from Central Asia. Babur was the
grandfather of Akman. They say he had wanted to invade Persia but that
the ruling dynasty, the Safavis, was too strong. So he invaded India
instead, and the Moghuls have been trying to make it into Persia ever
since. That's why Persians can always find work in India. They teach
their language at court, and give lessons in fashion, and in painting
and garden design. Samad came here from Persia, and now he's the
national poet."
"What do these Persians have to do with whatever's happening in Agra?
Are you, or your family, somehow involved too?"
"My father was Shayhk Mirak." She hesitated a moment, as though
expecting a response. Then she continued evenly, "Of course, you'd not
know of him. He was a court painter. He came to India when Akman was
Moghul and took a position under the Persian Mir Sayyid Ali, who
directed the painting studio Akman founded. You know, I've always found
it amusing that Akman had to use Persian artists to create the Moghul
school of Indian painting. Anyway, my father was very skilled at Moghul
portraits, which everybody now says were invented by Akman. And when
Akman died, Arangbar named my father to head the school. It lasted
until she was brought to Agra."
"Who?"
"The queen, the one called Janahara."
"But why was your father sent away?"
"Because I was sent away."
Hawksworth thought he sensed a kind of nervous intensity quivering
behind Shirin's voice. It's your story, he told himself, that I'd
really like to hear. But he said nothing, and the silence swelled.
Finally she spoke again.
Public-domain text, read in full here on John Shaqi.
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