East India Company -- Fiction; Historical fiction; India -- History -- 1526-1765 -- Fiction
They were deep within the center of Surat, nearing the river,
when suddenly the street opened onto a wide stone-paved plaza. The
first thing Hawksworth saw through the torchlight was a high iron
fence, sentries posted with bucklers and pikes along its perimeter, and
an ornate iron gate. Then, as they neared, he realized the fence was
the outer perimeter of an immense pink sandstone fortress, with high
turrets and a wide, arched entryway. Finally he spotted the water-
filled moat that lay between the fence and the fortress walls. The moat
was spanned by a single wooden bridge, and Hawksworth noted that when
the bridge was drawn inward it neatly sealed the entry of the fortress.
As they approached the iron outer gate, the party of _chaugan _players
began to disperse; after formal and minimal farewells the merchants and
officials turned and disappeared into the night. Soon only Hawksworth
and Mukarrab Khan were left, together with the governor's private
grooms and guards. Hawksworth studied the departing players with
curiosity. What sway does Mukarrab Khan hold over them? Respect? Fear?
Then the iron gate swung wide and their horses clattered across the
wooden drawbridge. Hawksworth looked about and began to understand that
the governor's palace guards were not merely ceremonial. Lining both
sides of the drawbridge were uniformed infantrymen armed with pikes.
Then as they passed under the stone archway leading into the fortress,
Hawksworth turned to see even more armed guards, poised just inside,
pikes in formal salute. And farther back he saw two armored animals,
gigantic, many times larger than the biggest horse, with massive ears
and a snout several feet in length.
That must be what a war elephant looks like. So they really do exist.
But why so many guards? It's virtually a private army.
Then he felt a groom tug the reins of his horse and signal for him to
dismount. They were now inside the palace grounds. Ahead, through an
intricate formal garden, stood the residence of the governor of Surat.
The elaborate carvings of its pink sandstone decoration reflected hard
red in the torchlight.
Mukarrab Khan directed him through a marble entryway,
ornately rounded at the top like the turret of a mosque. They had
entered some form of reception hallway, and Hawksworth noticed that the
marble floor was decorated with a complex geometry of colored stone.
Above his head were galleries of white plasterwork supported by
delicate arches, and along the sides were ornate, curtained recesses.
Hanging oil lamps brilliantly illuminated the glistening walls, while
rows of servants dressed in matching white turbans lined the sides in
welcome.
Public-domain text, read in full here on John Shaqi.
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