M. Héricourt justly finds that many features of this woman are to be met with in Gabrielle Fenayron, the accomplice of her husband. Gabrielle Fenayron is about thirty years of age: she is a tall dark woman with a very pale complexion; her hair is very black, the oval of her face elongated, and her eyes have a certain hardness that accentuate the projecting and unsightly cheek-bones. Gabrielle Fenayron, as we know, pretended to have been terrorised by the threats which her husband had uttered against her, and to have been infatuated, on the other hand, by the love that she felt for him; she had thus submitted her will in order to repair her fault. In the appreciation of this system of defence, the bill of indictment stated that the energy and the coolness exhibited by this woman in the preparation of assassination, the facilities that she had during the course of the long premeditation which had preceded the murder to warn Aubert without danger to herself, induced the belief that she had in the commission of the crime yielded to a profound hatred against her old lover. But this interpretation appears to me, psychologically, to be a clumsy and a forced one. It is not necessary to have recourse to motives left mysterious in order to explain the absolutely strange conduct of some women. Perhaps Zola would have completed his picture if he had known Gabrielle Gompard; who allies and unites the passion of murder with prostitution when she attaches herself to a wicked man, but who grows animated for virtue and denounces herself an accomplice when she becomes the mistress of a virtuous man. These women change their personality in changing a lover, and then make a point of playing a role in the miserable world where their fickle passions destroy them.