The Monist, Vol. 1, 1890-1891 : $b A quarterly magazineVarious
Philosophy
The Monist, Vol. 1, 1890-1891 : $b A quarterly magazine
Various
Philosophy -- Periodicals
This influence, in the case both of Schopenhauer and Lotze,
rests, aside from the fact of the universal character of their
thought-creations, already referred to, pre-eminently in the
circumstance that both made thoroughly their own the scientific theory
of things and recognised that conception as one whose justification
was contained in itself, and which, regarded from the standpoint of
its own hypotheses, was irrefutable, though they were nevertheless
far removed from perceiving in it the final and irreversible verdict
of human knowledge. In this endeavor to fix the limits of scientific
cognition Schopenhauer and Lotze form important pillars of the
antimaterialistic movement in Germany, and are just in this respect
also intimately related with the task of the modern Critical Philosophy
or Neo-Kantianism. But while the latter movements came to a stop with
predominantly negative or preparatory criticism, Schopenhauer and Lotze
owe a great portion of their wide-spread influence on German culture
to the circumstance that they undertook, from the point of view of the
critical theory of knowledge already acquired, to sketch the plans
of structures of the world which would furnish a general background
and scheme of synthetic connection for the collective special
results of the physical and mental sciences. That these sketches of
world-construction have an individual coloring can only lessen their
value in the eyes of those who believe they are privileged to apply
to such a synthetic, constructive formulation of the highest ideas of
all existence and thought, the standard of the exact determination
of a single law. And so I shall only hastily point to the fact, that
the contrariety and oppositeness that permeates the world and all our
thought about the world also comes sharply to light in the case of
these two philosophers, not to their mutual destruction, but to the
heightenment of the effect by the contrast.
Public-domain text, read in full here on John Shaqi.
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