“The scientific mind,” writes he, “the religious spirit, pity for suffering, the sentiment of justice, social mysticism, the attraction for mysterious perhaps dangerous facts that we begin to have a glimpse of, the kind of new power which the knowledge of them can give us, a general need of universal harmony: such are the principal characters of the spirit which is forming itself.” They are not, he himself says, all new. It is not the presence of these elements which is significant, but rather the singular combination in which they occur, and we could say, the precipitate that they give in the particular chemical solution where they find themselves thrown. In every case, the phenomenon does not affect entirely, it seems to us, the same characters, according to whether we observe it in the philosophic or scientific order, in the practical order, or in that of sentiment, which literature represents. The name of mysticism does not belong to every part of the new spirit equally; or more exactly, the spirit which is produced could well not be truly mysticism, but only a side phenomenon, and the very evident resurrection of the spirit which is disappearing. M. Paulhan, if I do not deceive myself, sometimes allows himself to be too much influenced by a certain literature, to which I do not allow a very great value, and of which even the sincerity may be suspected. It represents at first, to my mind, individual conditions, and it evidently impeaches some authors of a morbid diathesis. Many of our prophets, as is known in the _Quartier Latin_, have or affect vices which exclude by themselves all generating power. Then, it is very difficult, in our age, to appreciate exactly the relations of literature to the public mind, seeing the diversity of romantic books, and the correlation of one to the other is perhaps not so strict, so profound as it has been in other junctures of history. In short, the modern romance is a document the relative value of which needs to be established by a most severe critic.