He looked round him with suspicion, conscious that his business was
unfit for any other eye. As He stood in hesitation, He heard the
melancholy shriek of the screech-Owl: The wind rattled loudly against
the windows of the adjacent Convent, and as the current swept by him,
bore with it the faint notes of the chaunt of Choristers. He opened the
door cautiously, as if fearing to be overheard: He entered; and closed
it again after him. Guided by his Lamp, He threaded the long passages,
in whose windings Matilda had instructed him, and reached the private
Vault which contained his sleeping Mistress.
Its entrance was by no means easy to discover: But this was no obstacle
to Ambrosio, who at the time of Antonia’s Funeral had observed it too
carefully to be deceived. He found the door, which was unfastened,
pushed it open, and descended into the dungeon. He approached the
humble Tomb in which Antonia reposed. He had provided himself with an
iron crow and a pick-axe; But this precaution was unnecessary. The
Grate was slightly fastened on the outside: He raised it, and placing
the Lamp upon its ridge, bent silently over the Tomb. By the side of
three putrid half-corrupted Bodies lay the sleeping Beauty. A lively
red, the forerunner of returning animation, had already spread itself
over her cheek; and as wrapped in her shroud She reclined upon her
funeral Bier, She seemed to smile at the Images of Death around her.
While He gazed upon their rotting bones and disgusting figures, who
perhaps were once as sweet and lovely, Ambrosio thought upon Elvira, by
him reduced to the same state. As the memory of that horrid act glanced
upon his mind, it was clouded with a gloomy horror. Yet it served but
to strengthen his resolution to destroy Antonia’s honour.
“For your sake, Fatal Beauty!” murmured the Monk, while gazing on his
devoted prey; “For your sake, have I committed this murder, and sold
myself to eternal tortures. Now you are in my power: The produce of my
guilt will at least be mine. Hope not that your prayers breathed in
tones of unequalled melody, your bright eyes filled with tears, and
your hands lifted in supplication, as when seeking in penitence the
Virgin’s pardon; Hope not that your moving innocence, your beauteous
grief, or all your suppliant arts shall ransom you from my embraces.
Before the break of day, mine you must, and mine you shall be!”
He lifted her still motionless from the Tomb: He seated himself upon a
bank of Stone, and supporting her in his arms, watched impatiently for
the symptoms of returning animation. Scarcely could He command his
passions sufficiently, to restrain himself from enjoying her while yet
insensible. His natural lust was increased in ardour by the
difficulties which had opposed his satisfying it: As also by his long
abstinence from Woman, since from the moment of resigning her claim to
his love, Matilda had exiled him from her arms for ever.
Public-domain text, read in full here on John Shaqi.
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