"But he returned. 'Come, quick, follow me,' said he, 'unless you
want them to cut our heads off!' I did not move. He became impatient.
'Come on,' he repeated with an oath, 'our compartment is empty.' Our
compartment empty! Then he had been there? Was he quite certain that
the woman in black, who did not speak, whom one could not see, was he
quite certain that she had not remained in a corner? 'If you don't
come, I'll throw you on the line like the other one!' he threatened. He
had entered the carriage, and pushed me as a brute, half mad. I found
myself outside on the step, with my two hands clinging to the brass
rail. Leaving the coupé after me, he carefully closed the door. 'Go on,
go on!' said he. But I did not dare. I stood there, borne along in the
whirling flight of the train, beaten by the wind which was blowing a
gale. My hair came unbound, and I thought my stiffened fingers would
lose their hold on the rail. 'Go on!' he exclaimed with another oath.
He continued pushing me, and I had to advance, hand over hand, keeping
close to the carriages, with my skirt and petticoats blowing about and
embarrassing the action of my lower limbs. Already, in the distance,
after a curve, one could see the lights of the Barentin station. The
engine began to whistle. 'Go on!' repeated my husband still swearing at
me.
"Oh! that infernal riot, that violent vacillation amidst which I
walked! It seemed as if I had been caught in a storm that swept me
along like a straw, to cast me against a wall. The country flew behind
my back, the trees followed me in a furious gallop, turning over and
over, twisted, each uttering a short moan as it passed. When I came
to the end of the carriage, and had to take a stride to reach the
footboard of the next, and grasp the other rod, I stopped, having lost
all courage. Never should I have the strength to do it. 'Go on,' said
my husband, accompanying the words with his usual imprecation. He was
behind, he gave me a push, and I closed my eyes. I know not how it was
I continued to advance. Possibly by the force of instinct, as an animal
who has planted his claws into something, and means not to fall. How
was it, too, that nobody saw us? We passed before three carriages, one
of which was a second-class carriage, completely crammed. I remember
seeing the heads of the passengers ranged in a line, in the light
of the lamp. I believe I should recognise them if I were to meet
them one of these days. There was a stout man with red whiskers, and
I particularly recollect two young girls who were leaning forward
laughing.
Public-domain text, read in full here on John Shaqi.
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