“Wait until we arrive at the ‘Sea of Serenity’ once more, and perhaps you will think better of it. Notwithstanding the increased magnification, the details in Cyrillus and Catharina are hardly better seen in this photograph than in its predecessor, but the increase of size is very effective in emphasizing some of the features of the surrounding district. Cyrillus is seen to have a decided hexagonal outline, and west of its southern corner is an exceedingly curious formation, approaching closely to a square shape. The wall is illuminated within on all four sides, and out of the midst of the lozenge-shaped shadow resting over the bottom of the included valley, rises a mountain which, like the walls, is bright with sunshine. On the southwest a semicircular ridge runs out into the darkness, its top brightly illuminated. The general effect of the entire formation is fantastic. And could you imagine a wilder scene than that presented by the elongated mountain mass, which starts from the southwestern side of Cyrillus, skirts the border of Catharina, and continues on along the northwestern side of the broad valley in the upper part of the picture? See how it has, apparently, been rent apart by tremendous forces and torn by volcanic outbursts, which have left yawning craters everywhere. Even the valley itself seems to be simply a chain of wrecked crater rings of vast size, the cross walls having nearly disappeared. Observe, too, the immense number of crater pits of all sizes scattered everywhere, both inside the ring plains (Theophilus alone having few of them) and over the surrounding country. We shall see a still more remarkable example of this pitting of the lunar surface in the neighborhood of Copernicus, which is the chief object in the next photograph that we take up.” We came now to the large picture of Copernicus, and my friend took it in her hands to examine it. “It is a marvelous thing to look upon,” she said, “but it doesn’t frighten me as Theophilus did.”