“We went down to the stream to bathe while Ata was preparing the
dinner, and after we had eaten it we sat on the verandah. We smoked and
chatted. The young man had a concertina, and he played the tunes
popular on the music-halls a dozen years before. They sounded strangely
in the tropical night thousands of miles from civilisation. I asked
Strickland if it did not irk him to live in that promiscuity. No, he
said; he liked to have his models under his hand. Presently, after loud
yawning, the natives went away to sleep, and Strickland and I were left
alone. I cannot describe to you the intense silence of the night. On my
island in the Paumotus there is never at night the complete stillness
that there was here. There is the rustle of the myriad animals on the
beach, all the little shelled things that crawl about ceaselessly, and
there is the noisy scurrying of the land-crabs. Now and then in the
lagoon you hear the leaping of a fish, and sometimes a hurried noisy
splashing as a brown shark sends all the other fish scampering for
their lives. And above all, ceaseless like time, is the dull roar of
the breakers on the reef. But here there was not a sound, and the air
was scented with the white flowers of the night. It was a night so
beautiful that your soul seemed hardly able to bear the prison of the
body. You felt that it was ready to be wafted away on the immaterial
air, and death bore all the aspect of a beloved friend.”
Tiaré sighed.
“Ah, I wish I were fifteen again.”
Then she caught sight of a cat trying to get at a dish of prawns on the
kitchen table, and with a dexterous gesture and a lively volley of
abuse flung a book at its scampering tail.
“I asked him if he was happy with Ata.
“‘She leaves me alone,’ he said. ‘She cooks my food and looks after her
babies. She does what I tell her. She gives me what I want from a
woman.’
“‘And do you never regret Europe? Do you not yearn sometimes for the
light of the streets in Paris or London, the companionship of your
friends, and equals, _que sais-je?_ for theatres and newspapers, and
the rumble of omnibuses on the cobbled pavements?’
“For a long time he was silent. Then he said:
“‘I shall stay here till I die.’
“‘But are you never bored or lonely?’ I asked.
“He chuckled.
“‘_Mon pauvre ami_,’ he said. ‘It is evident that you do not know what
it is to be an artist.’”
Capitaine Brunot turned to me with a gentle smile, and there was a
wonderful look in his dark, kind eyes.
“He did me an injustice, for I too know what it is to have dreams. I
have my visions too. In my way I also am an artist.”
We were all silent for a while, and Tiaré fished out of her capacious
pocket a handful of cigarettes. She handed one to each of us, and we
all three smoked. At last she said:
“Since _ce monsieur_ is interested in Strickland, why do you not take
him to see Dr. Coutras? He can tell him something about his illness and
death.”
“_Volontiers_,” said the Captain, looking at me.
Public-domain text, read in full here on John Shaqi.
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