“What happened?” I asked, rather sharply.
He hesitated and flushed. He glanced unhappily at one of the pictures
on the wall.
“He wouldn’t let me go on painting. He told me to get out.”
“But why didn’t you tell him to go to hell?”
“He turned me out. I couldn’t very well struggle with him. He threw my
hat after me, and locked the door.”
I was furious with Strickland, and was indignant with myself, because
Dirk Stroeve cut such an absurd figure that I felt inclined to laugh.
“But what did your wife say?”
“She’d gone out to do the marketing.”
“Is he going to let her in?”
“I don’t know.”
I gazed at Stroeve with perplexity. He stood like a schoolboy with whom
a master is finding fault.
“Shall I get rid of Strickland for you?” I asked.
He gave a little start, and his shining face grew very red.
“No. You’d better not do anything.”
He nodded to me and walked away. It was clear that for some reason he
did not want to discuss the matter. I did not understand.
Chapter XXVIII
The explanation came a week later. It was about ten o’ clock at night;
I had been dining by myself at a restaurant, and having returned to my
small apartment, was sitting in my parlour, reading I heard the cracked
tinkling of the bell, and, going into the corridor, opened the door.
Stroeve stood before me.
“Can I come in?” he asked.
In the dimness of the landing I could not see him very well, but there
was something in his voice that surprised me. I knew he was of
abstemious habit or I should have thought he had been drinking. I led
the way into my sitting room and asked him to sit down.
“Thank God I’ve found you,” he said.
“What’s the matter?” I asked in astonishment at his vehemence.
I was able now to see him well. As a rule he was neat in his person,
but now his clothes were in disorder. He looked suddenly bedraggled. I
was convinced he had been drinking, and I smiled. I was on the point of
chaffing him on his state.
“I didn’t know where to go,” he burst out. “I came here earlier, but
you weren’t in.”
“I dined late,” I said.
I changed my mind: it was not liquor that had driven him to this
obvious desperation. His face, usually so rosy, was now strangely
mottled. His hands trembled.
“Has anything happened?” I asked.
“My wife has left me.”
He could hardly get the words out. He gave a little gasp, and the tears
began to trickle down his round cheeks. I did not know what to say. My
first thought was that she had come to the end of her forbearance with
his infatuation for Strickland, and, goaded by the latter’s cynical
behaviour, had insisted that he should be turned out. I knew her
capable of temper, for all the calmness of her manner; and if Stroeve
still refused, she might easily have flung out of the studio with vows
never to return. But the little man was so distressed that I could not
smile.
“My dear fellow, don’t be unhappy. She’ll come back. You mustn’t take
very seriously what women say when they’re in a passion.”
Public-domain text, read in full here on John Shaqi.
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