Fantasy fiction; Poetry; Science fiction; Short stories
High rose the air, and trembled among the tallest pines and the summits
of great hills. And in it were the sting of rain and the blatter of
hail, the soft crush of snow and the rattle of thunder among crags.
Then it quieted to the low sultry croon which told of blazing midday
when the streams are parched and the bent crackles like dry tinder.
Anon it was evening, and the melody dwelled among the high soft notes
which mean the coming of dark and the green light of sunset. Then the
whole changed to a great paean which rang like an organ through the
earth. There were trumpet notes ill it and flute notes and the plaint
of pipes. "Come forth," it cried; "the sky is wide and it is a far cry
to the world's end. The fire crackles fine o' nights below the firs,
and the smell of roasting meat and wood smoke is dear to the heart of
man. Fine, too is the sting of salt and the rasp of the north wind in
the sheets. Come forth, one and all, unto the great lands oversea, and
the strange tongues and the hermit peoples. Learn before you die to
follow the Piper's Son, and though your old bones bleach among grey
rocks, what matter if you have had your bellyful of life and come to
your heart's desire?" And the tune fell low and witching, bringing
tears to the eyes and joy to the heart; and the man knew (though no one
told him) that this was the first part of the Rime, the Song of the
Open Road, the Lilt of the Adventurer, which shall be now and ever and
to the end of days.
Then the melody changed to a fiercer and sadder note. He saw his
forefathers, gaunt men and terrible, run stark among woody hills. He
heard the talk of the bronze-clad invader, and the jar and clangour as
stone met steel. Then rose the last coronach of his own people, hiding
in wild glens, starving in corries, or going hopelessly to the death.
He heard the cry of the Border foray, the shouts of the famished Scots
as they harried Cumberland, and he himself rode in the midst of them.
Then the tune fell more mournful and slow, and Flodden lay before him.
He saw the flower of the Scots gentry around their King, gashed to the
breast-bone, still fronting the lines of the south, though the paleness
of death sat on each forehead. "The flowers of the Forest are gone,"
cried the lilt, and through the long years he heard the cry of the
lost, the desperate, fighting for kings over the water and princes in
the heather. "Who cares?" cried the air. "Man must die, and how can
he die better than in the stress of fight with his heart high and alien
blood on his sword? Heigh-ho! One against twenty, a child against a
host, this is the romance of life." And the man's heart swelled, for
he knew (though no one told him) that this was the Song of Lost Battles
which only the great can sing before they die.
Public-domain text, read in full here on John Shaqi.
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