Until I threw myself upon the soft mattress that served as a bed for me,
I had not realized how physically exhausted I had been. Scarcely had I
permitted myself to relax in the luxurious ease which precedes sleep ere
I was plunged into profound slumber, which must have endured for a
considerable time, since when I awoke I was completely refreshed.
Moh-goh was already up and in the bath, a marble affair fed by a
continuous supply of icy water which originated among the ice-clad peaks
of the higher mountains behind Laythe. The bather had no soap, but used
rough fibre gloves with which he rubbed the surface of his skin until it
glowed. These baths rather took one’s breath away, but amply repaid for
the shock by the sensation of exhilaration and well being which resulted
from them.
In addition to private baths in each dwelling, each terrace supported a
public bath, in which men, women and children disported themselves,
recalling to my mind the ancient Roman baths which earthly history
records.
The baths of the Jemadar which I was later to see in the palace of
Sagroth were marvels of beauty and luxury. Here, when the Emperor
entertains, his guests amuse themselves by swimming and diving, which,
from what I have been able to judge, are the national sports of the
Laytheans. The Kalkars care less for the water, while the Va-gas only
enter it through necessity.
I followed Moh-goh in the bath, in which my first sensation was that I
was freezing to death. While we were dressing a messenger from Ko-tah
summoned us to his presence, with instructions that we were to be
prepared to accompany him to the palace of Sagroth the Jemadar.
CHAPTER XII
KO-TAH THREATENS THE PRINCESS
The palace of the Emperor stands, a magnificent pile, upon the loftiest
terrace of Laythe, extending completely around the enormous crater.
There are but three avenues leading to it from the terraces below—three
magnificent stairways, each of which may be closed by enormous gates of
stone, apparently wrought from huge slabs and intricately chiselled into
marvelous designs, so that at a distance they present the appearance of
magnificent lacework. Each gate is guarded by a company of fifty
warriors, their tunics bearing the imperial design in a large circle
over the left breast.
Public-domain text, read in full here on John Shaqi.
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