She regarded the picture for some time in silence, Rooke watching her
intently the while.
"Well?" he said at last, interrogatively.
"Maryon"--she spoke slowly--"do I really look like--that?"
He nodded.
"Yes," he replied quietly. "When you let yourself go--when you take
off the meaningless mask I complained of."
With that uncanny discernment of his--that faculty for painting
people's souls, as Nan described it--he had sensed the passionate,
wistful, unhappy spirit which looked out from her eyes, and the face on
the canvas gave back a dumb appeal that was almost painfully arresting.
Nan frowned.
"You'd no right to do it," she exclaimed a little breathlessly.
"I painted what I saw."
She was silent, tremulously disturbed. He could see the quick rise and
fall of her breast beneath the filmy white of her gown.
"Nan," he went on in low, tense tones. "Did you think I could be with
you, day after day like this, and not--find out? Could I have painted
your face, loving each line of it, and not learned the truth?" She
stretched out her hand as though to check him, but he paid no heed.
"The truth that Roger is nothing to you--never will be!"
"He's the man I'm going to marry," she said unevenly.
"And I'm only the man who loves you! . . . But because I failed once,
putting love second, must I be punished eternally? I'm ready to put it
first now--to lay all I have and all I've done on its altar."
"What--what do you mean?" she stammered.
He put his hands lightly on her shoulders and drew her nearer to him.
"Is it hard to guess, Nan? . . . I want you to leave this life you
hate and come with me. Let me take you away--right away from it
all--and, somewhere we'll find happiness together."
She stared at him with wide, horrified eyes.
"Oh, you're mad--you're mad!"
With a struggle she freed herself from his grasp and stood away from
him.
"Listen," she said. "Listen to me and then you'll understand what
you're asking. I'm not happy--that's true. But it's my own fault, not
Roger's. I ought never to have given him my promise. There was
someone else--"
"Mallory!" broke in Rooke.
"Yes--Peter. It's quite simple. We met too late. But I learned then
what love means. Once I asked him--I _begged_ him--to take me away
with him. And he wouldn't. I'd have gone to the ends of the earth
with him. I'd go to-morrow if he'd take me! But he won't. And he
never will." She paused, panting a little. "And now," she went on,
with a hard laugh, "I don't think you'll ask me again to go away with
you!"
"Yes, I shall. Mallory may be able to live at such high altitudes that
he can throw over his life's happiness--and yours, too--for a scruple.
I can't--and I don't want to. I love you, and I'm selfish enough to be
ready to take you any minute that you'll come."
Throwing one arm about her shoulders, he turned her face up to his.
"Don't you understand?" he went on hoarsely. "I'm flesh and blood man,
and you're the woman I love."
Public-domain text, read in full here on John Shaqi.
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