Manned space flight -- Fiction; Moon -- Fiction; Science fiction; Space flight to the moon -- Fiction; Space ships -- Fiction
Now how can the emotion be described which took possession of the whole
of America? The effect of the Barbicane proposition was surpassed
tenfold; what the newspapers of the Union said, the way they accepted
the news, and how they chanted the arrival of this hero from the old
continent; how to depict the feverish agitation in which every one
lived, counting the hours, minutes, and seconds; how to give even a
feeble idea of the effect of one idea upon so many heads; how to show
every occupation being given up for a single preoccupation, work
stopped, commerce suspended, vessels, ready to start, waiting in the
ports so as not to miss the arrival of the _Atlanta_, every species of
conveyance arriving full and returning empty, the bay of Espiritu-Santo
incessantly ploughed by steamers, packet-boats, pleasure-yachts, and
fly-boats of all dimensions; how to denominate in numbers the thousands
of curious people who in a fortnight increased the population of Tampa
Town fourfold, and were obliged to encamp under tents like an army in
campaign--all this is a task above human force, and could not be
undertaken without rashness.
At 9 a.m. on the 20th of October the semaphores of the Bahama Channel
signalled thick smoke on the horizon. Two hours later a large steamer
exchanged signals with them. The name _Atlanta_ was immediately sent to
Tampa Town. At 4 p.m. the English vessel entered the bay of
Espiritu-Santo. At 5 p.m. she passed the entrance to Hillisboro Harbour,
and at 6 p.m. weighed anchor in the port of Tampa Town.
The anchor had not reached its sandy bed before 500 vessels surrounded
the _Atlanta_ and the steamer was taken by assault. Barbicane was the
first on deck, and in a voice the emotion of which he tried in vain to
suppress--
"Michel Ardan!" he exclaimed.
"Present!" answered an individual mounted on the poop.
Barbicane, with his arms crossed, questioning eyes, and silent mouth,
looked fixedly at the passenger of the _Atlanta_.
He was a man forty-two years of age, tall, but already rather stooping,
like caryatides which support balconies on their shoulders. His large
head shook every now and then a shock of red hair like a lion's mane; a
short face, wide forehead, a moustache bristling like a cat's whiskers,
and little bunches of yellow hair on the middle of his cheeks, round and
rather wild-looking, short-sighted eyes completed this eminently feline
physiognomy. But the nose was boldly cut, the mouth particularly humane,
the forehead high, intelligent, and ploughed like a field that was never
allowed to remain fallow. Lastly, a muscular body well poised on long
limbs, muscular arms, powerful and well-set levers, and a decided gait
made a solidly built fellow of this European, "rather wrought than
cast," to borrow one of his expressions from metallurgic art.
Public-domain text, read in full here on John Shaqi.
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