All is calm, but it is not the dull, cold calm of ruin and death; we can but feel a sense of companionship with the former masters of the palace and the grounds. We walk through the Barca, or boat-shaped antechamber, to the Hall of the Ambassadors, and imagine the khalif of the Omeyyads seated upon his throne at the end; while we gaze up into the lofty dome and allow our eyes to wander about the great apartment as we admire the medallions, the graceful characters of the Arabic inscriptions, the delicate patterns of the plaster-work with which the walls are adorned; the balconies, the white, blue, and gold of the cornice and ceiling; the circles, crowns, and stars moulded to imitate the vault of heaven. We stop before the window looking over the Darro to think how Ayesha once let Boabdil down in a basket from it five centuries ago; how Charles the Fifth said of the unfortunate Moor, "Ill-fated was the man who lost all this!" We bring up before us the discoverer of America, as tradition paints him, pleading in this place with the good Isabella for gracious permission to add another jewel to her crown--the bright gem of a New World. We climb to the terraced roof of the tower, following the narrow windings of the steep stairway once trodden by fair lady and gallant prince as they hastened to the lofty battlement to watch the approach of some army or anxiously to study the progress of a battle on the Vega. Our eyes search the broad expanse for that bridge of Pinos where Moor and Christian more than once fought for the mastery. We remember that it was at that spot that Isabella's messenger overtook the despairing Columbus, as he conveyed to him the queen's recall, when the mariner was plodding towards other realms to carry his bold proposition to other and, as he hoped, more gracious sovereigns. We care not that it is tradition only which fixes the spot; tradition and romance are a portion of the charm of the Alhambra.