"He would fain have kept his foot soldiers and gathered them together,
and have made head against the enemy; but those around him entreated him
to think only of his personal safety. To remain was to perish without
striking a blow; to escape was to preserve a life that might be devoted
to vengeance on the Moors. The Master reluctantly yielded to their
advice. 'O Lord of Hosts,' exclaimed he again, 'from Thy wrath do I fly,
not from these infidels. They are but instruments in Thy hands to
chastise us for our sins!' So saying, he sent the guides in advance,
and, putting spurs to his horse, dashed through a defile of the mountain
before the Moors could intercept him. The moment the Master put his
horse to speed, his troops scattered in all directions: some endeavoured
to follow his traces, but were confounded among the intricacies of the
mountain. They fled hither and thither, many perishing among the
precipices, others being slain by the Moors, and others taken
prisoners."
The horrors of that night among the mountains of Malaga were not
speedily forgotten by the Christians. They burned for vengeance; and
when "Boabdil" (properly Abu-Abdallah), the King of Granada, who had
temporarily ousted his father from the sovereignty, sallied forth on a
sweeping raid into the lands of the Christians, they took a signal
revenge. Boabdil marched secretly by night; but his movements were not
long undetected. Beacon fires blazed from the hill-tops, and the Count
of Cabra, aroused by their flames, sounded the alarm, and assembled the
chiefs of the district. They fell upon the Moors near Lucena, and, aided
by the cover of the woods, made so skilful an attack, that the enemy
turned. "Remember the mountains of Malaga!" was the ominous cry, as the
Christian knights set spurs to their horses in pursuit of the Moslems:
with shouts of St. James they dashed upon them, and the retreat became
an utter rout. When the fugitives entered the gates of Granada a great
wave of lamentation passed through the city: "Beautiful Granada, how is
thy glory faded! The flower of thy chivalry lies low in the land of the
stranger; no longer does the Bivarambla echo to the tramp of steed and
sound of trumpet; no longer is it crowded with thy youthful nobles,
gloriously arrayed for the tilt and tourney. Beautiful Granada! the soft
note of the lute no longer floats through thy moonlit streets; the
serenade is no more heard beneath thy balconies; the lively castanet is
silent upon thy hills; the graceful dance of the Zambra is no more
seen beneath thy bowers. Beautiful Granada! why is the Alhambra so
forlorn and desolate? The orange and myrtle still breathe their perfumes
into its silken chambers; the nightingale still sings within its groves;
its marble halls are still refreshed with the plash of fountains and the
gush of limpid rills! Alas! the countenance of the king no longer shines
within those halls. The light of the Alhambra is set for ever!"
[Illustration: A WINDOW IN THE ALHAMBRA.]
Public-domain text, read in full here on John Shaqi.
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