The character of the women of different races differs in essential points. What a vast difference, for instance, between the females of the rude crusaders who took possession of Constantinople, and the more civilized Byzantine Greeks whom they so easily conquered; between the heroic matron of barbarous Germany and the highly civilized Chinese lady! These differences cannot be entirely the effect of education, else we are forced to consider the female sex as mere automatons. They must be the result of diversity of character. And why not, in the investigation of the moral and intellectual diversity of races and the natural history of man, take into consideration the peculiarities that characterize the female portion of each race, a portion--I am forced to make this trite observation, because so many investigators seem to forget it--which comprises at least one-half of the individuals to be described?--H. FOOTNOTES: [172] Because we now find the Chinese apparently stationary, many persons unreflectingly conclude that they were always so; which would presuppose that the Chinese were placed upon earth with the faculty of making porcelain, gunpowder, paper, etc., somewhat after the manner in which bees make their cells. But in the annals of the Chinese empire, the date of many of their principal inventions is distinctly recorded. There was a long period of vigorous intellectual activity among that singular people, a period during which good books were written, and ingenious inventions made in rapid succession. This period has ceased, but the Chinese are not therefore stationary. They are _retrograding_. No Chinese workman can now make porcelain equal to that of former ages, which consequently bears an exorbitant price as an object of _virtû_. The secret of many of their arts has been lost, the practice of all is gradually deteriorating. No book of any note has been written these hundreds of years in that great empire. Hence their passionate attachment to everything old, which is not, as is so generally presumed, the _cause_ of their stagnation: it is the _sign_ of intellectual decadence, and the brake which prevents a still more rapid descent. Whenever a nation begins to extravagantly prize the productions of preceding ages, it is a confession that it can no longer equal them: it has begun to retrograde. But the very retrogression is a proof that there once was an opposite movement.