I would remark that, as the poem is too long to be read through entirely, and as there are passages in it which should be omitted, it is advisable for the teacher to narrate the story, quoting, however, such passages as give point to the narrative or have a special beauty of their own. Read the description of Calypso's cave v, 73, ff. Penelope meantime is patiently awaiting her husband's return. Read the passages which describe her great beauty, especially that lovely word-picture in which she is described as standing by a tall column in the hall, a maid on either side, a veil hiding her lustrous face, while she addresses the suitors. The noblest princes of Ithaca and the surrounding isles entreat her hand in marriage, and, thinking that Ulysses will never return, hold high revels in his house, and shamelessly consume his wealth. Read the passage ii, 116-160, describing Penelope's device to put off the suitors, and at the same time to avert the danger which would have threatened her son in case she had openly broken with the chiefs. The love of Penelope is further set vividly before us by many delicate touches. Every stranger who arrives in Ithaca is hospitably entertained by the queen, and loaded with gifts, in the hope that he may bring her some news of her absent lord, and often she is deceived by wretches who speculate on her credulous grief. See the passage xiv, 155. During the day she is busy with her household cares, overseeing her maids, and seeking to divert her mind by busy occupation; but at night the silence and the solitude become intolerable, and she weeps her eyes out on her lonely couch. How the love of Penelope influences her boy, who was a mere babe when his father left for Troy, how the whole atmosphere of the house is charged with the sense of expectancy of the master's return, is shown in the passage ii, 439, where Telemachus says: "Nurse, let sweet wine be drawn into my jars, The finest next to that which thou dost keep, Expecting our unhappy lord, if yet The nobly born Ulysses shall escape The doom of death and come to us again." The best cheer, the finest wine, the best of everything is kept ready against the father's home-coming, which may be looked for any day, if haply he has escaped the doom of death. There is one passage in which we might suspect that the poet has intended to show the hardening effect of grief on Penelope's character, xv, 479. Penelope does not speak to her old servants any more; she passes them by without a word, apparently without seeing them. She does not attend to their wants as she used to do, and they, in turn, do not dare to address her. But we may forgive this seeming indifference inasmuch as it only shows how completely she is absorbed by her sorrow.