Stock played through conference dates as usual and up to the 11th when Laura Alberta and George W. Harrison hoisted the stellar flag, which they floated for two weeks, opening in "Uncle Tom's Cabin," which ran for three nights, and then gave place to other pieces in Laura's repertory. Then followed Fanny Cathcart and George Darrell for a week, presenting "Man and Wife," "Woman in Red," "Masks and Faces," "Black Eyed Susan," "Stranger," "Happy Pair," "Mysteries of Stage," and "Mexican Tigress." Eight different plays in one week must have kept the stock company out of mischief, one would naturally think. The reverse proved true, however, in this case, for the leading man, "Bill" Cogswell, from over-study (we had no understudies in those days), was driven to drink; Bill got on a jamboree and didn't care whether school kept or not, and the managers were in a dilemma. Their next star was May Howard, who opened on November 3rd for a three weeks engagement of legitimate. It was essential to have a good, reliable leading man to help May through such a long engagement. Both McKenzie and Lindsay were away and a new leading man was considered an all important factor in this emergency. So a Chicago dramatic agent, Arthur Cambridge, was wired to and he sent out the "brilliant young American actor, J. Al. Sawtelle." Sawtelle opened on Miss Howard's second night, playing "Armand Duval" in "Camille." It was a part well suited to him and he made a satisfactory impression. Miss Howard played "The New Magdalen" (opening night), "Guy Mannering," "Romeo and Juliet," and "East Lynne." Harry Eytinge rendered support in most of her plays--he being the lady's husband this was a very fitting and graceful thing to do. After three weeks of Howard and Eytinge, Fanny Cathcart and George Darrell came back as "Man and Wife," doing "Dark Deeds" and filling in four nights with a "Woman in Red," and doing funny things in "Masks and Faces."