theatre in San Francisco where they had been favorites, so they brought it to Salt Lake to "try it on the dog." This is a phrase thoroughly understood among theatrical people although it may savor of ambiguity to the uninitiated. It means simply that when a manager is at all dubious about the merits of a new production, he sends it into some comparatively obscure town to try its qualifications for pleasing in the metropolis. The origin of the phrase is obscure, but probably sprang from the similarity of trying a collar on a dog. Inferentially the play is a collar and the obscure town the dog. In this particular case "Struck Oil" was the collar and Salt Lake the dog. The collar happened to fit; the play was a howling success (no suggestion of dog intended here) and it ran three consecutive nights in the Salt Lake Theatre, and then with the Salt Lake stamp of approval on it the Williamsons, Johnny and Maggie, took it out into the theatrical world and made a fortune with it. Joe Murphy had the collar on us before with his "Help" and was successful, and that encouraged the Williamsons and others that have since come, until Salt Lake has won a reputation among dramatic people for being an easy and gentle canine on which to try the collar. Now comes the prince of comedians, John T. Raymond, back again and stays a short week, during which he sprung on the actors and the confiding and admiring community the following plays: "Our American Cousin," "Everybody's Friend," "Toodles," "Serious Family," and "Only a Jew." In "Our American Cousin," Raymond starred as Asa Trenchard, the "American Cousin," and not in Lord Dundreary, the part Sothern won both fame and fortune in. In this instance my old schoolmate and present colleague, John C. Graham, was intrusted with the character of "Dundreary" and did himself and the company credit by his humorous and artistic rendering of it. Raymond was so thoroughly American (a Yankee in fact) that Dundreary was not in his way, while Asa Trenchard fitted like "ze paper on ze vall." Raymond as Major Wellington De Boots was immense, but it scarcely gave him the scope he was looking for so he was playing a half dozen different plays, none of which were making him any great fame or money. When "The Gilded Age" was ushered in by Mark Twain, people who knew John T. Raymond, on reading Col. Seller's peculiarities, were quick to recognize in Raymond the living counterpart of Mark Twain's imaginary hero. It was not long before Raymond was the only authorized stage edition of Col. Sellers and his popularity increased rapidly until it seemed "there was a million in it" for the genial comedian, but before he had time to amass a million or two "Atropos came with her shears and clipped his thread." "Alas, poor Yorick! I knew him, Horatio. A fellow of infinite jest, of most excellent fancy." Miss M. E. Gordon followed, playing from the 9th to the 14th, opening in "Divorce." Miss Gordon was closely allied to Raymond.