On the 25th, W. A. Mestayer opened a week's engagement in "On the Slope," and with "The Octoroon" and "An Odd Trick" gave much satisfaction. "Bill" Mestayer for years was the heavy man at the old California theatre in its palmy days. As Jacob McClosky in the "Octoroon" he was simply great. On his last night he appeared as Don Caesar for the benefit of the Ladies' Library Association. On June 1st, George Chaplin made his regular summer appearance in the comedy of "School," from which he graduated in one night and appeared on the following evening as Count Monte Cristo. He played Monte again on the 4th. On the 5th George took a layoff as the Lingards, Horace and Dickie, got in on that date with "The Spitsefields Weaver," and gave one performance. Chaplin resumed with the stock company on the following night, June 6th, and played the week out, giving his services on the last night for the benefit of the Theatre corporation. The following week the stock company gave a liberal proportion of their salaries to the series of performances for the benefit of the corporation. Seven performances were given for this benefit. James A. Herne appeared in four of them, Chaplin in one, the company in all seven. Although Clawson and Caine were the nominal lessees and managers, they had associated with them before opening this season, several partners in the venture and the concern was known as the Salt Lake Theatre Corporation. Mr. Thomas Williams was the treasurer and presided over the box office during this regime, and with such peerless _bonhomie_ as made "Tom" (everybody called him "Tom") the acknowledged prince of ticket sellers. It was evident from this benefit business that the corporation had not had the profitable season's business they had expected when they opened with such flying colors in the previous October. The truth was the corporation was very much in the hole, and this series of benefit performances were designed to lighten their financial burdens and did to some extent, yet the close of the season found them heavily in debt, and there were serious results threatening, but the leniency of the creditors averted disaster. The summer was now on but the stars kept on coming. Salt Lake was a regular resort for them. When they could do no business elsewhere, owing to heat, they made for the Salt Lake Theatre. It was the coolest place in the city in those days and before we had any summer resorts the people would go and see these midsummer night performances. Our old Hibernian friend, Joe Murphy, was the next in line, opening on the 15th inst. with more "Help," which he worked for all it was worth three nights and filled out the remainder of the week with a new Irish drama, "Maum Cree." This was Joe's debut in Irish character work and he had come to Salt Lake City again to "try it on the dog." He had good support and "Maum Cree" received a favorable verdict from the Salt Lake theatre goers and Joe Murphy was