On April 1st a bright and attractive star appeared in the person of Mr. Edwin Adams. Mr. Adams made a splendid impression on his first visit to Salt Lake and a full house was on hand to greet him. The train on which Mr. Adams arrived was several hours late and the audience was kept waiting more than an hour after the specified time of commencing. It was nearly ten o'clock when the curtain rang up on "The Marble Heart," but the audience exercised great patience, and when at length Mr. Adams appeared as Phidias from between the curtains that concealed the statues, exclaiming "The man whose genius formed them," he received such a warm and generous welcome as must have banished any doubts or misgivings he may have had as to how Salt Lake would receive him. As he had not rehearsed with the company, some apprehensions were felt as to how the play would go; but, after it was over, Mr. Adams warmly complimented everybody--especially the stage manager--and declared it went just as well as if he had been here to rehearse it with us. This was a notable engagement, Mr. Adams playing ten nights in all, his engagement running through the April Conference. In addition to "The Marble Heart," he played "Hamlet," "Richelieu," "Rover" (in "Wild Oats"), "Narcisse" and "Enoch Arden." Edwin Adams was destined to a career as brief as it was brilliant. After leaving us he went to San Francisco and played a successful engagement, then went to Australia. When he returned from Australia to San Francisco he was a dying man. A benefit was given him there, and he was wheeled onto the stage in an invalid's chair to acknowledge his gratitude to the San Franciscans for their kindness to him. This was the last seen of poor Edwin Adams by the public. Only a few days later and that dramatic genius that was shedding luster on the American stage was extinct. He had contracted quick consumption in the antipodes, and by the time he got back to San Francisco his friends realized he had not long to live and did what they could to show their love for him and ease his passing to the great beyond. The next important engagement was that of John T. Raymond, who appeared on August 5th in "A Gilded Age," the play in which Willie Gill was enjoined more than a year before. As Colonel Sellers, Raymond was simply inimitable; Mark Twain might have had him in his eye when he created the character. It ran three performances, and if there were not "millions in it," it was at least a profitable engagement both for Mr. Raymond and the manager. Notwithstanding it was the hottest part of the summer, Raymond filled out a week with Major de Boots in the "Widow Hunt," and Caleb Plummer in "Cricket on the Hearth." Raymond's engagement virtually closed the season of '75 and '76, and there was nothing of importance until the commencing of the next season. CHAPTER XXI. SEASON OF '76-'77.