The Mormons and the Theatre; or, The History of Theatricals in UtahLindsay, John S. (John Shanks)
Religion
The Mormons and the Theatre; or, The History of Theatricals in Utah
Lindsay, John S. (John Shanks)
Latter Day Saints; Theater -- Utah -- History
January 18th and 19th, Mr. and Mrs. Frank Frayne were the attraction
in the play of "Si Slocum." Frayne "was the fellow who won renown" by
shooting an apple from his wife's head (a la William Tell), only
Frayne split the apple with a rifle bullet instead of an arrow. After
performing this and other dexterous feats with rifle and revolver many
hundreds of times without accident, he did it once too often; he
finally missed his aim and shot his wife dead. How confiding women
are! Poor Mrs. Frayne! Thank heaven that did not happen _here_!
Whether Frank ever found another woman so confident of his skill as to
hold that apple on her head, we know not and hope not. He had a bull
dog that played a star part in the show; he may have trained the dog
to hold the apple after his wife's awful fate. Sad to relate, the
stock company supported Mr. and Mrs. Frayne and the bull-dog.
On the 22nd and 23rd, Mile. Rentz's female minstrels gave Salt Lake
another exhibition of musical extravaganza, the chief attraction being
the free and lavish display of beautiful female shapes. A whole
phalanx of voluptuous, rotund forms encased in a dazzling and
bewildering variety of colors--moving in splendid harmony--keeping
time, time, time, in a sort of runic rhyme. Why no wonder the
baldheads crowded into the front rows and outrivaled all other
spectators in applauding the bold and beautiful Amazons.
On February 22nd the community having recovered somewhat from the
excitement of Amazonian marches, Rentz minstrel choruses, and the
bewildering effect of so much female beauty, the present writer having
accepted an offer to go to Denver to play a star engagement at the
Denver theatre, summoned sufficient courage to take a "farewell
benefit." The plays given on this occasion were "Evadne" and the farce
of "Nan, the Good-for-Nothing." Soon after the "benefit" the writer
departed for Denver, accompanied by Mr. Harry Emery, who had played
with him in the recent benefit bill and on some previous occasions;
his work being so satisfactory as to secure him an engagement in the
Denver company that was to support me. Denver at this time had but one
theatre; it was not nearly so large or so good a theatre as the Salt
Lake Theatre; in fact, Denver was not then (1878) as large a city as
Salt Lake. Nick Forrester was the manager, and his wife was the
"leading lady" of the company, and insisted on playing all the leading
lady parts whether suited to them or not. This caused Nick and the
company a whole lot of trouble as she was already fair, fat and forty,
and not suited to many of the parts.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account