The Mormons and the Theatre; or, The History of Theatricals in UtahLindsay, John S. (John Shanks)
Religion
The Mormons and the Theatre; or, The History of Theatricals in Utah
Lindsay, John S. (John Shanks)
Latter Day Saints; Theater -- Utah -- History
After the departure of the Irwins, the stock company finished out the
season without the assistance of a star, playing from November 15th
until after April Conference. It was during the conference that our
old friend George Pauncefort, suddenly and unexpectedly to most of us,
returned from San Francisco after an absence in that metropolis of
more than two years. He opened a return engagement on April 16th in
"Don Caesar de Bazan." The season was virtually over after the April
Conference, but notwithstanding he played to splendid business, he
gave repetitions of his previous plays and won out splendidly on a
production of "Arrah Na Pogue," in which he had played "Col. O'Grady"
during a successful run of this play in San Francisco.
"Arrah Na Pogue" drew good houses for three or four nights, and closed
the season of '66 and '67. Robert Heller got in a three nights
engagement, commencing May the 20th, while the company was getting up
in "Arrah Na Pogue." He was the first to introduce the mysterious
second sight illusions and succeeded in bewildering and mystifying the
patrons of the theatre to an unusual degree.
During the last engagement of Pauncefort most of the opposite roles to
his own were assigned to Miss Colebrook, who had in the past year,
since Mrs. Gibson's demise, divided honors with Miss Adams, and owing
to her more stately appearance had been entrusted with many of the
leading lady roles and was an established favorite. Pauncefort, who
had never met her before (her debut having occurred after his
departure for the coast), was much surprised and pleased to find a new
and attractive leading lady in the company. He took an especial
interest in her, and she was cast for all the leading roles during his
engagement, beginning with "Maritana" in "Don Caesar," and including
"Lady Macbeth" and "Ophelia." Pauncefort discovered that she had
exceptional dramatic ability and encouraged her in every possible way;
for "Miss Nellie" was not over-confident of her own abilities, and
suffered keenly from nervousness or stage fright, especially on the
first time in a part; and to receive encouragement and compliments
from a star of Pauncefort's acknowledged luster was doubtless sweet
and flattering to the lady, who as yet was all unconscious of the
impression she had made on the susceptible George. "The fair Elizabeth
has caught my eye, and like a new star, lights onward to my wishes."
Possessed of a sweet and loveable disposition and a musical voice
added to her charms of personal appearance, Miss Colebrook was a
general favorite, not only with the public, but with the company. She
had numerous admirers, and several rival aspirants for her affections,
both in the company and out. With what surprised and ill-concealed
chagrin they viewed the growing attentions of the reigning star can
better be imagined than described. The princely George had enrolled
himself in the list of her devotees and it was very much in evidence
Public-domain text, read in full here on John Shaqi.
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