It may be of interest to note the fact here that "The Danites" has never been played in Salt Lake or anywhere in Utah. About this time George B. Waldron turned up again in Salt Lake, and was installed as leading man to strengthen the company and ease somewhat the labors of David McKenzie. Rose Evans, a lady who was enamoured of "Hamlet," and made a specialty of playing it, was introduced to Salt Lake soon after Waldron's accession to the company, and we had during her engagement which ran through the April conference, "Hamlet," "Twixt Axe and Crown," "Ingomar;" Miss Evans as "Parthenia" and Waldron as "Ingomar;" "Lady Audrey's Secret," "Romeo and Juliet;" Waldron as "Romeo." Rose Evans established herself very strongly in the favor of the Salt Lake theatre goers. Her "Hamlet" was liked, and she played it intelligently and perhaps as well as a woman could play it, but no woman can ever play "Hamlet" satisfactorily to the critical mind; and very few men out of the thousands of actors ever reach and handle it satisfactorily. Her "Juliet" was very acceptable, but Waldron's voice was' too basso profundo for "Romeo." It was hard to imagine him as the youthful love-distraught Romeo with his deep set vocal organ. Miss Evans closed on April 8th and was closely followed by Mlle. Marie Ravel, who opened on the 10th, supported by Waldron and the stock company and played an engagement of twenty nights. On May 4th Herr Daniel E. Bandmann and his wife (his first one) opened an engagement of five nights, presenting "Macbeth," "Hamlet," "Merchant of Venice," "Narcisse," and "Richard III." Bandmann, at this time, was a very popular tragedian. He had played as early as '65 in San Francisco a very successful engagement. He was now returning from his second visit to San Francisco. He spoke with a decided German accent, which was, however, not disagreeable to the ear, his voice being musical and his reading very artistic and finished. Bandmann bought a ranch near Missoula, Montana, some ten or twelve years ago and went into semi-retirement. He had a curious advertisement in the Dramatic Mirror, about as follows: "Daniel E. Bandmann, Tragedian and breeder of fine horses and cattle." He also bred a large family of children on that same ranch. When he went into retirement he took with him his latest "leading lady," Mary Kelly, as his wife, and they have a number of heirs to succeed to the tragedy and breeding business. His first wife, Millie Palmer, still figures in London theatricals, and she has a son who is conspicuous in theatrical management. Herr Bandmann still makes spasmodic incursions into the surrounding country with an improvised dramatic company and plays his favorite characters.