The Mormons and the Theatre; or, The History of Theatricals in UtahLindsay, John S. (John Shanks)
Religion
The Mormons and the Theatre; or, The History of Theatricals in Utah
Lindsay, John S. (John Shanks)
Latter Day Saints; Theater -- Utah -- History
After the Lander engagement, the house closed for a few nights, to
give the Stock company a chance to prepare for the approaching October
conference. The management could always count on packed houses during
these conferences, and it was like giving money away to engage any
stellar attractions at these times, so the Stock company was up
against their work once more. On October 3rd they opened and played
through conference, to the 9th.
On the 10th Robert McWade made his first bow to a Salt Lake audience,
in "Rip Van Winkle." McWade had a very good reputation through the
west in this character, and drew a very good house for his first
night. If we had never seen "Jim Hearne" as "Rip Van Winkle" we might
have thought more of McWade, but the impression Hearne made in the
character was so strong and still so fresh in the public mind that
McWade's "Rip" did not become a favorite. He played some five nights
and then the Stock had to go alone again for a while, so on the 16th
they resumed and played up to November 7, only relieved a little by
the Japanese jugglers, who put in an hour each evening for a week,
from October 23rd to 28th. On November 9th, Johnny Allen and Alice
Harrison opened a four nights' engagement, closing on the 13th. On the
15th the Stock resumed the even tenor of its way, and played
unassisted up to December 10th, when J. M. Ward came in with "Through
by Daylight," and got through by gaslight in two nights. Jim Ward was
a very versatile and capable actor with a racy Irish brogue, that was
suggestive of the "ould sod." He has had rare experiences in
theatrical life, and they would make a volume of interesting reading,
but as he is still having them, being yet upon the stage, it is too
early to add his experiences to the general history of the stage,
especially his matrimonial ones.
An entire troupe of juvenile actors followed Jim Ward's advent into
Salt Lake City. Whether Jim was in any way accountable, we are not
advised; they were called "The Nathan Juvenile Troupe," and put in one
week from the 15th to the 20th.
Public-domain text, read in full here on John Shaqi.
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