although Sarah Von Leer seemed to be, and held onto her partnership through thick and thin. After a while Hardie got a play called "On the Frontier," and conceived the idea of getting a brass band made up of real Indians. It proved a ten strike, and, after doing a big business with it in this country for two seasons, he took it to England in '93 and made a barrel of money with it. Sarah is still his partner and still stays by him. They built a fine theatre in Manchester, which has been their headquarters for the last twenty years. Mrs. Hardie and her daughters have been back in Salt Lake for a number of years. They have never crossed the ocean to join the husband and father. It must be acknowledged that the dramatic profession is altogether too prolific of this sort of thing. Its tendencies are to draw even well mated couples apart--a hundred cases could be cited; but we will let the reader think the matter over and divine the cause. On July 31st Jim McKnight, a young fellow of ambition and talent, put on a play of his own writing, which he called "The Robbers of the Rocky Mountains," with an exclusive amateur company. Young McKnight drew on his imagination for his robbers; had he written years later he could have taken his characters from life, with Butch Cassidy and the whole Robber's Roost gang in the cast. CHAPTER XVI. SEASON OF '72-'73. The season of '72 and '73 opened on August 7th with George Chaplin and Clara Jean Walters as stock stars. They opened in the classical drama of "Buffalo Bill." This was a long time before Cody started his wild west show and probably this play was what put him in the notion of starting in the show business. Chaplin made a fine Buffalo Bill, and if Cody saw him in the part it must have made him envious to see another fellow stealing his thunder. The combination ran two weeks, when Stetson came in "Neck and Neck" with us and played a week, presenting also "Daring Dick" and "The Fatal Glass." Chaplin had a decided objection to supporting male stars of mediocre ability, and second class repertory, and so he generally laid off on such occasions as the Stetson engagement; besides it was a matter of economy with the management; they did not need him, so George laid off during Stetson's week, and then came with his "Seven Sisters" the following week. George was immense as the big sister and was just a trifle vain over the fact that he could outshine all the women in the company in female apparel. On September 2nd Ada Gray opened a week's engagement in "Article 47" and gave besides, "Jezebel" and "Whose Wife." Ada was a pleasing actress, of fine appearance, but didn't seem to quicken the pulse of her Salt Lake patrons, after their seeing some of the greater ones.