says he, "and will let you have them and copy the remainder of the parts for you for $10. I want to get to Pioche; things are booming there and I am short of money; you can advertise the wonderful run the play has had in London, and you'll be the first to play it west of New York, where Studley is playing it now." John arguments prevailed with me and I took down "Louis XI" and "The Strangers" and put up "The Bells" for the Wednesday and Thursday nights. Maguire delivered the goods, got his money and took the stage for Pioche. Bidding me good bye and good luck, he says, "There's a theatre down there, and if I can secure it, you will hear from me before long." "The Bells" gave me the hardest day's study I ever did; playing "Macbeth" the night before and staying out later than was discreet, I was reading "Mathias" at rehearsal next morning to play that night, but we got through it fairly well, and to my surprise the local papers praised the performance highly next morning, but "The Bells" did not prove the great drawing card Maguire had so sanguinely predicted, the older and better known plays drawing better. On Friday evening, while playing "Jack Cade," a few of my admirers sent up a request to have me play "Othello" on the following night instead of "The Guardsmen," with Mr. F. M. Bates as Othello, Mrs. Bates as Emelia and myself as Iago. I should have promptly decided not to make the change, but nothing in the way of work seemed too onerous for me, and too willing to oblige, I sent back word that if they could get Mr. and Mrs. Bates to volunteer I would make the change. Some of them waited on the Bateses with the result that Mrs. Bates declined to be Emelia, and Mr. Bates had never played Othello, but would play Iago if I would do Othello. I was in Mr. Bates' fix, having played Iago several times but never Othello. However, I consented to try it and gave myself another hard day's study to get perfect in Othello. Next morning Sloan, in the Herald, roasted me for playing a "star" part like Othello in stock costumes, notwithstanding I had been wearing stock costumes all the week. He spoke rather favorably of my acting, however, which was more than I should have expected. I would not be nearly so accommodating now. This my first "stellar" engagement closed on December 14th, 1872. The record shows that the farce of "The Spectre Bridegroom" was played after Othello, with Phil Margetts in his great part of Diggory. In those "palmy days of the drama," it was quite usual to have a farce after a five-act tragedy. On benefit occasions not infrequently there would be a long play, then an olio of singing and a fancy dance, and a farce to close the "evening's entertainment." During this engagement Clara Jean Walters played the leading female roles, and rendered effective support, as indeed she always did. She was the most capable and versatile "leading lady" the stock company ever had and remained with it for several seasons a well-established favorite.