The Mormons and the Theatre; or, The History of Theatricals in UtahLindsay, John S. (John Shanks)
Religion
The Mormons and the Theatre; or, The History of Theatricals in Utah
Lindsay, John S. (John Shanks)
Latter Day Saints; Theater -- Utah -- History
This gave an extra flavor to it no doubt, at all events the
ladies declared it was fine and we did not doubt its being more to
their taste than the coffee the good hostler provided. Breakfast over,
we once more clambered into the shaky old jerkie with the admonition
from the driver that we men would have to walk when we came to the
steep places. We thanked the kindly hostler and invited him to come to
the show when we got to playing in Pioche. The snow was six or eight
inches deep and even on the gradual ascent, as we started up the
grade, it was all the horses could do to pull us, and the snow soon
began to melt and the road to get steeper. It was evident we men would
have to foot it, and most of the way to the top, and so we got out one
or two at a time till we were all walking and occasionally we had to
give a shove on the coach to help the willing but weakly horses get to
the top. Once there we were all very glad to get in; we were not long
in rattling along the down grade into Pioche, all very glad to get
there. Maguire, who had been impatiently expecting us for two days,
was overjoyed to see us, for he was full of expectations as to the
business we were going to do. He had secured us the best hotel
accommodations the camp afforded, and they were duly appreciated after
our recent experience at the station.
After dinner we all took a walk with Maguire at his invitation, to see
the theatre where we were to play our six weeks engagement. The
building stood back from the principal street which was built right in
the ravine, the stage entrance facing the street, and the entrance for
the audience facing the street above. We had ventured various
conjectures in reference to this theatre that the always over sanguine
Maguire had secured a lease of. We had not expected very much and yet
we were disappointed. We all entered at the stage door which opened
directly from a flight of steps onto the back of the stage, and as we
beheld the wonderful temple of Thespus, where we were to do honor to
his art, the exclamations that escaped us were not well calculated to
enthuse John Maguire, but rather to make him feel a little shaky about
the venture he was making. Ye gods! What a transition from the Salt
Lake Theatre to this shack! The theatre was about 35x75 feet, the
stage occupying twenty-five feet. The orchestra floor for reserved
seats ran from the stage towards the front about 15 feet. The rest of
the space was fitted with rough board seats a la circus, the natural
declivity of the ground giving the seats the necessary pitch for the
audience to see the stage. The walls of the building were of rough
pine boards about ten feet in height and the entire auditorium was
roofed in with ducking or light canvas. The stage part was roofed with
shingles so as to preserve the scenery from the rain. Of scenery there
was a very limited supply and that not very artistic, being painted by
an amateur. The stage projected beyond the curtain some six feet and
Public-domain text, read in full here on John Shaqi.
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