The Mother of Washington and Her TimesPryor, Sara Agnes Rice
History
The Mother of Washington and Her Times
Pryor, Sara Agnes Rice
Virginia -- Social life and customs; Washington, Mary Ball, 1708-1789
Her impulse was to tell him frankly that all the morning had been
given to attiring herself to wait upon him, but she informed him
only that she was "rather indolent in that respect," upon which he
allowed her the last word, bowed, and passed on. In about two hours
it was Mrs. Adams's turn to be presented to the queen. "The queen,"
she writes, "was evidently embarrassed. I had disagreeable feelings,
too. She, however, said: 'Mrs. Adams, have you got into your house?
Pray, how do you like the situation of it?'" She, too, yielded the
last word, passing on after an earnest assurance that the American
lady had nothing to complain of. "She was in purple and silver,"
said Mrs. Adams in her letter to her sister. "She is not well-shaped
nor handsome. As to the ladies of the Court, rank and title may
compensate for want of personal charm, but they are in general very
plain, ill-shaped and ugly--but don't you tell anybody that I said
so!"
From the letter of our Minister's wife, we perceive that fashions
in dress had not changed materially since the days when Jenny
Washington, Betsy Lee, and Aphia Fauntleroy danced in Westmoreland.
The classic David had not yet laid down his stern laws. The train
was still looped over an ornate petticoat, and all supported by
an enormous hoop; the hair still "craped high," surmounted with
feathers, flowers, lace, and gauze. Mrs. Adams, when all ready
to set forth to the drawing-room, found time while waiting for
her daughter to describe the presentation gowns to her sister in
Massachusetts:--
"My head is dressed for St. James, and in my opinion looks very
tasty. Whilst my daughter is undergoing the same operation I set
myself down composedly to write you a few lines. I directed my
manteau-maker to let my dress be elegant, but plain as I could
possibly appear with decency. Accordingly it is white lutestring
covered and full-trimmed with white crape festooned with lilac
ribbon and mock point lace, over a hoop of enormous extent. There
is only a narrow train of about three yards in length to the gown
waist, which is put into a ribbon upon the left side, the Queen only
having her train borne. Ruffle cuffs for married ladies, a very
dress cap with long lace lappets, two white plumes and a blond-lace
handkerchief. This is my rigging. I should have mentioned two pearl
pins in my hair, earrings and necklace of the same kind.
Public-domain text, read in full here on John Shaqi.
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