The Mother of Washington and Her TimesPryor, Sara Agnes Rice
History
The Mother of Washington and Her Times
Pryor, Sara Agnes Rice
Virginia -- Social life and customs; Washington, Mary Ball, 1708-1789
The planter felt that the time had come to concern himself with the
elegancies of fine living. He went home to England to select books
for his library and to have his portrait painted by Sir Joshua
Reynolds; perhaps bring over his grandfather's portrait by Sir
Peter Lely, or, at least, secure a copy of Sir Peter's portrait of
Charles the First. A precious picture now and then found its way to
the drawing-rooms of the Northern Neck; and at "Elsing Green," a
little lower down in King William County, were hangings of priceless
value--a set of Gobelin tapestry presented to the owner's ancestor,
Gilbert Burnet, Bishop of Salisbury, by William of Orange. "Race
horses, drawn masterly and set in elegant frames," adorned the
dining-room walls of Colonel John Tayloe of Mount Airy, owner of the
great Yorick, one of the most celebrated horses of the day; and in
the same dining room stood the famous punch-bowl, since celebrated
in verse. The fashion of adorning the grounds with marble statues
is first mentioned in describing Colonel Tayloe's beautiful garden,
near Mary Washington's girlhood home.
[Illustration: Elsing Green.]
Libraries in 1770 had been well chosen, and had attained respectable
proportions. Mr. Robert Carter of Westmoreland, and other men of
wealth, had collected law-books, books on divinity relating to the
Established Church, a large musical library, the works of Pope,
Locke, Addison, Young, Swift, Dryden, "and other works of mighty
men," in the Latin tongue.
[Illustration: MOUNT AIRY.]
Mr. Carter had also every musical instrument then known: "An Organ,
Spinet, Forte-Piano, Guittar, German Flutes, Harpsichord and
Harmonica. The last, the wonderful new instrument invented by one
Benjamin Franklin of Philadelphia" (him of the Blackbeard Ballad),
"being musical glasses without water, framed into a complete
instrument capable of thorough bass and never out of tune." On these
the master, his sons, and daughters, and the Presbyterian tutor
discoursed learned music, sonatas, etc.
Reading of this age, one is amazed at the activity of these
Virginians of the Northern Neck. They were forever in motion,
passing up and down the Potomac and Rappahannock--the great canals
of their Venice--in barges and batteaux, and across country from one
river to the other on horseback, in chaises and chariots.
The Potomac was the theatre of much rivalry and ostentation among
the rich planters whose estates bordered the river. Superb barges
were made to their order in England; and the negro crew rowing them
were clad in showy uniforms. Occasionally a British frigate would
appear on the river, when all the country would be thrown into a
"paroxysm of festivity." Breakfasts and dinners at Mount Vernon and
"Belvoir" (the seat of the Fairfaxes) would be in order, with the
return courtesies of afternoon teas on board the frigate.
Public-domain text, read in full here on John Shaqi.
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