Mothers and daughters -- Fiction; New York (N.Y.) -- Fiction; Psychological fiction; Riviera (France) -- Fiction
“Don’t think,” Nollie continued, her expression softening, “that
Anne hasn’t tried to understand ... to make allowances. The boy you
knew must have been so different from the Major Fenno we all like and
respect--yes, respect. He’s ‘made good’, you see. It’s not only his
war record, but everything since. He’s worked so hard--done so well at
his various jobs--and Anne’s sure that if he had the chance he would
make himself a name in the literary world. All that naturally makes it
more difficult for her to understand your objection--or your way of
asserting it.”
Mrs. Clephane lifted imploring eyes to her face. “I don’t expect Anne
to understand; not yet. But you must try to, Nollie; you must help me.”
“I want to, Aunt Kate.” The young woman stood before her,
affectionately perplexed. “If there’s anything ... anything really
wrong ... you ought to tell me.”
“I _do_ tell you,” Kate panted.
“Well--what is it?”
Silence fell--always the same silence. Kate glanced desperately about
the imprisoning room. Every panel and moulding of its walls, every
uncompromising angle or portly curve of its decorous furniture, seemed
equally leagued against her, forbidding her, defying her, to speak.
“Ask Fred Landers,” she said, at bay.
“But I have; I saw him on my way here. And he says he doesn’t
know--that you wouldn’t explain.”
“Why should I have to explain? I’ve said Major Fenno ought not to marry
Anne. I’ve known him longer than any of you. Isn’t it likely that I
know him better?”
The words came from her precipitate and shrill; she felt she was losing
all control of her face and voice, and lifted her handkerchief to her
lips to hide their twitching.
“Aunt Kate--!” Nollie Tresselton gasped it out on a new note of terror;
then she too fell silent, slowly turning her eyes away.
In that instant Kate Clephane saw that she had guessed, or if not,
was at least on the point of guessing; and fresh alarm possessed the
mother. She tried to steady herself, to raise new defences against
this new danger. “Some men are not meant to marry: they’re sure to
make their wives unhappy. Isn’t that reason enough? It’s a question
of character. In those ways, I don’t believe character ever changes.
That’s all.”
“That’s all.” The word was said. She had been challenged again, and had
again shrunk away from the challenge.
Nollie Tresselton drew a deep breath of relief. “After knowing him so
well as a boy, you naturally don’t want to say anything more; but you
think they’re unsuited to each other.”
“Yes--that’s it. You do see?”
The younger woman considered; then she took Mrs. Clephane by the hand.
“I do see. And I’ll try to help--to persuade Anne to put off deciding.
Perhaps after she’s seen him it will be easier....”
Nollie was again silent, and Mrs. Clephane understood that, whatever
happened, the secret of Chris’s exact whereabouts was to be kept from
her. She thought: “Anne’s afraid to have me meet him again,” and there
was a sort of fierce satisfaction in the thought.
Public-domain text, read in full here on John Shaqi.
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