“You want me to go on suffering, then? You want to kill me?” The girl was close to her, in a white glare of passion. “Ah, it’s true--why should you care what happens to me? After all, we’re only strangers to each other.” Kate Clephane’s first thought was: “I mustn’t let her see how it hurts--” not because of the fear of increasing her daughter’s suffering, but to prevent her finding out how she could inflict more pain. Anne, at that moment, looked as if the discovery would have been exquisite to her. The mother dared not speak; she feared her whole agony would break from her with her first word. The two stood facing each other for a moment; then Mrs. Clephane put her hand out blindly. But the girl turned from it with a fierce “Don’t!” that seemed to thrust her mother still farther from her, and swept out of the room without a look. XVI. Anne had decreed that they should return home; and they returned. The day after the scene at Rio the girl had faltered out an apology, and the mother had received it with a silent kiss. After that neither had alluded to the subject of their midnight talk. Anne was as solicitous as ever for her mother’s comfort and enjoyment, but the daughter had vanished in the travelling companion. Sometimes, during those last weary weeks of travel, Kate Clephane wondered if any closer relation would ever be possible between them. But it was not often that she dared to look ahead. She felt like a traveller crawling along a narrow ledge above a precipice; a glance forward or down might plunge her into the depths. As they drew near New York she recalled her other return there, less than a year before, and the reckless confidence with which she had entered on her new life. She recalled her first meeting with her daughter, her sense of an instant understanding on the part of each, and the way her own past had fallen from her at the girl’s embrace. Now Anne seemed remoter than ever, and it was the mother’s past which had divided them. She shuddered at the fatuity with which she had listened to Enid Drover and Fred Landers when they assured her that she had won her daughter’s heart. “She’s taken a tremendous fancy to you--” Was it possible that that absurd phrase had ever satisfied her? But daughters, she said to herself, don’t take a fancy to their mothers! Mothers and daughters are part of each other’s consciousness, in different degrees and in a different way, but still with the mutual sense of something which has always been there. A real mother is just a habit of thought to her children. Well--this mother must put up with what she had, and make the most of it. Yes; for Anne’s sake she must try to make the most of it, to grope her own way and the girl’s through this ghastly labyrinth without imperilling whatever affection Anne still felt for her. So a conscientious chaperon might have reasoned--and what more had Kate Clephane the right to call herself?