The motion picture chums at Seaside Park : $b or, The rival photo theatres of the boardwalkAppleton, Victor
General
The motion picture chums at Seaside Park : $b or, The rival photo theatres of the boardwalk
Appleton, Victor
Motion picture theaters -- Juvenile fiction
They were going at such a furious rate Pep knew that even if they passed
anyone his shout would be incoherent and borne away on the wind. At any
rate they were secure from pursuit except by an automobile like their
own.
He foresaw the fate of the little tin box—carried away with its precious
contents by these criminals, himself abandoned in some lonely spot to
find his way back home as best he might. A desperate resolve came into
Pep’s mind, as glancing ahead he caught the glint of water. At the end
of a steep incline a bridge spanned a small river. Pep got his free hand
ready. Just as the front wheels of the machine struck the first timbers
of the bridge, his hand shot out for the tin box in its pillow case
covering, lying on the cushion between himself and his captor.
It was all done quick as a flash. A grab, a whirl, a splash, and the
hurling object disappeared beneath the calm waters just beyond the outer
bridge rail. The man beside Pep uttered a shout. He was so taken aback
at the unexpected event that he relaxed his hold on his captive.
His cry had startled his companion at the wheel, who took it as a signal
of warning of some sort, and he instantly shut down on speed. It was
Pep’s golden opportunity. Before the man beside him could prevent it, he
made a nimble spring out of the machine, landed on the planking of the
bridge approach, stumbled, fell, and then, as a crash sounded, dived
into a nest of shrubbery lining the stream.
Pep did not wait to look back to trace the occasion of the crash. He
heard confused shouts and knew that the two men had gotten into some
trouble with the automobile. A light not over a hundred feet distant had
attracted his attention. Pep darted forward. He ran into a barbed wire
fence, then he crawled under it, and on its other side made out a
farmhouse. The light came from the doorway of a big barn, where two
persons, a man and a boy, were just unhitching a horse from a light
wagon.
“Mister!” cried Pep breathlessly, running up to the men, “two thieves
had wrecked their automobile right at the bridge. They have stolen a lot
of money and jewelry. They tried to carry me away with them.”
“Run for my gun, Jabez,” ordered the farmer, roused at the sensational
announcement. “Maybe they’re the fellows who broke in here last week
when we were away at a neighbor’s.”
The boy ran to the house. He soon reappeared with a clumsy
double-barreled shotgun over his shoulder.
“Arm yourselves,” directed the farmer, taking the weapon in one hand,
the lantern in the other.
His son picked up a rake and handed a pitchfork to Pep. Then the boys
followed the farmer as he strode towards the road.
The moonlight showed a wrecked automobile lying where it had been driven
into a little clump of saplings—breaking them off two feet from the
ground—and wedged in among the splintered branches. Evidently the
amateur chauffeur had in his excitement made a turn at the wrong moment.
“Where’s your robbers?” demanded the farmer.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account