The Motor Girls at Lookout Beach; Or, In Quest of the RunawaysPenrose, Margaret
General
The Motor Girls at Lookout Beach; Or, In Quest of the Runaways
Penrose, Margaret
Automobile travel -- Juvenile fiction; Girls -- Societies and clubs -- Juvenile fiction; Runaway children -- Juvenile fiction
The performance had begun. It was funny to hear a boy sing a comical
song that was intended to be pathetic, and to see the illustrative
pictures flashed on the big muslin. The song was all about a little
girl who wanted a mamma, and who said so to a lady who knew the
child's widowed father, and who finally took pity on the child and
married the parent, thus affording a ready-made mamma for the little
girl on the canvas. And then they were all so happy!
The intensely amateurish effect put the number beyond criticism, and
the Chelton young folks applauded it vigorously. The small boy who
sang was very much surprised at the applause--and so were many others
in the playhouse. But the motor boys and girls kept it up, until the
little fellow was compelled to come out front and bow. Then they let
him go.
A wonderful story of rustic love and its "terrible" consequences was
told in the regulation motion pictures, the motion of which seemed to
have a very bad spell of ague. Bess was compelled to clap her hand
over her eyes occasionally, but the others stood the strain
wonderfully, although Cora declared she hadn't a wink left for the
rest of her natural life.
Another picture story was attempted when, suddenly, there was a loud
hissing sound that was followed by a roar!
Instantly the place was in confusion!
Women shouted and children cried!
The lights went out, and with them seemed to go whatever amount of
common sense the audience might have been expected to have held in
reserve.
"Keep your seats! Keep your seats!" shouted the manager. "There is
nothing at all the matter!"
The frightened and panic-stricken assemblage would not listen to the
assurance, but, instead, fought their way toward the doors, until the
real danger, that of being crushed to death, was evident to those who
had not taken fright with the others.
"Don't move!" Jack commanded his party, in the most emphatic tone.
"Keep your seats, and don't stir!"
But Belle was almost fainting with fear, and she begged to be allowed
to get out.
"What for?" asked Ed. "There is absolutely nothing the matter. The
lights have gone out and the motion picture machine went up, but what
harm is that? Stay where you are, Belle," and he grasped her firmly by
the arm. "I wouldn't risk my--new shoes in that mob."
This quieted the girl, and she sank back against Cora, who was almost
laughing at the situation.
Presently, the manager, realizing that he could not stop the crowd
with his voice, called for music and ordered the other part of the
performance to go on.
"Work slow!" he commanded, and then the old rusty piano "took up"
something--just what it was would be hard to say.
To the alleged tune a song was started. It was perfectly dark in the
place, no substitute lights having been provided, and when the voice
of a young girl trembled above the din and racket of the people
fighting for the open air, it seemed almost ridiculous.
Public-domain text, read in full here on John Shaqi.
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