Circus -- Fiction; Clowns -- Fiction; World War, 1914-1918 -- Veterans -- Fiction
This was written in his hotel room, as soon as he returned. Elodie,
unnerved by an over-driven dentist's torture, lay resting in her bedroom
with closed windows and drawn shutters. He was between the Devil of Petit
Patou-ism and the Deep Sea beyond which lay the Fortunate Isles where men
were men and coco-nuts were gold and where the sweat could roll down your
leather skin undefiled with greasepaint.
When he had finished writing, he dined with a curiously preoccupied though
pain-relieved Elodie. He attributed her unusual mood either to anxiety as
to their reception at Olympia, after the previous night's performance, or
to realization of the significance of her indiscretion. She ate little,
drank less, and scarcely spoke at all.
They reached the music-hall. Andrew changed into his tights. The little
dresser retailed the gossip of the place. Elodie had undoubtedly caused
a sensation. The dresser loudly acclaimed Madame's action as a _beau
geste_.
"In these days of advertisement one can't afford to be so modest, _mon
général_," said he. "And I, for example, who committed the stupidity
of asking whether you had served in the war! To-night we are going to see
something quite different."
Andrew laughed. Haunted by the great seas and the Solomon Islands and the
palm trees, he found himself scarcely interested in his reception. The
audience could talk and cough and hiss as much as they liked. He had
practically told them to go to the devil last night. He was quite ready, if
need be, to do it again. He was buoyed up by a sublime indifference.
The singer was ending her encore from "La Traviata" when he went down the
iron stairs. Elodie met him punctually, for they had agreed to avoid the
dreary wait. As soon as the stage was set and the curtain up, he went on
and was greeted by a round of applause. Somehow the word had been passed
round the populace that formed the Olympia clientèle. Thenceforward the
performance went without a hitch, to the attentive gratification of the
audience. There was no uproarious demonstration; but they laughed in the
right places and acclaimed satisfactorily his finale on the giant violin.
They gave him a call, to which he responded, leading Elodie by the hand.
For himself, he hardly knew whether to feel relief or contempt, but Elodie,
blindly stumbling through the cages of the performing dogs in the wings,
almost broke down.
"Now all goes well. Confess I was right."
He turned at the bottom of the stairs.
"Yes. I confess. You did what was right to make it go well."
She scanned his face to read his meaning. Of late he had grown so
remote and difficult to understand. He put his arm round her kindly and
smiled--and near by his smile, painted to the upper tip of each ear, was
grotesquely horrible.
"Why yes, little goose. Now everything will go on wheels."
"That is true?" she asked anxiously.
"I swear it," said he.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account