Circus -- Fiction; Clowns -- Fiction; World War, 1914-1918 -- Veterans -- Fiction
Just at this time I had a letter from Lackaday. Incidentally he mentioned
that he was appearing in August at Clermont-Ferrand and that Horatio Bakkus
(who, in his new prosperity, could afford to choose times and seasons) had
arranged to accept a synchronous engagement at the Casino of Royat.
So while my medical advisers were wringing their hands over the practical
inaccessibility and the lack of amenity of Nauheim, whither they had
despatched me unwilling in dreary summers before the war, and while they
were suggesting even more depressing health resorts in the British Isles,
it occurred to me to ask them whether Royat-les-Bains did not contain
broken-down heart repairing works of the first order. They brightened up.
"The place of all places,' said they.
"Write me a chit to a doctor there," said I, "and I'm off at once."
I did not care much about my heart. It has always been playing me tricks
from the day I fell in love with my elder sister's French governess. But
I did care about seeing my friend Lackaday in his reincarnation as Petit
Patou, and I was most curious to make the acquaintance of Elodie and
Horatio Bakkus.
Soon afterwards, therefore, behold me on my way to Clermont-Ferrand, of
which manufacturing town Royat is a suburb.
Chapter XVIII
Without desiring to interfere with the sale of guide-books, I may say that
Clermont-Ferrand is a great big town, the principal city of Auvergne, and
devotes itself to turning out all sorts of things from its factories such
as Michelin and Berguignan tyres, and all sorts of young lawyers, doctors
and schoolmasters from its university. It proudly claims Blaise Pascal as
its distinguished son. It has gardens and broad walks and terraces along
the old ramparts, whence one can see the round-backed pride (with its
little pip on the top) of the encircling mountain range, the Puy de Dôme;
and it also has a wilderness of smelly, narrow little streets with fine
old seventeenth-century mansions hidden in mouldering court-yards behind
dilapidated portes cochères; it has a beautiful romanesque Church in a
hollow, and, on an eminence, an uninteresting restored cathedral whose twin
spires dominate the town for miles around. By way of a main entrance, it
has a great open square, the Place de Jaude, the clanging ganglion of its
tramway system, about which are situated the municipal theatre and the
chief cafés, and from which radiate the main arteries of the city. On the
entrance side rises a vast mass of sculpture surmounted by a statue of
Vercingetorix, the hero of those parts, the gentleman over whose name we
have all broken our teeth when learning to construe Cæsar "_De Bello
Gallico_." Passing him by for the first time, I should have liked to
shake hands with him for old times' sake, to show my lack of ill feeling.
Public-domain text, read in full here on John Shaqi.
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