Circus -- Fiction; Clowns -- Fiction; World War, 1914-1918 -- Veterans -- Fiction
It was after lunch, while we sat, as the day before, at the end of the
terrace, that she told me of what had taken place between Lackaday and
herself, while I had been hanging about the gate. I must confess
to pressing her confidence. Since I was lugged, even as a sort of
_raisonneur_, into their little drama, I may be pardoned for some
curiosity as to development. I did not seem, however, to get much further.
They had parted for ever, last April, in a not unpoetic atmosphere. They
had parted for ever now in circumstances devoid of poetry. The only bit of
dramatic progress was the mutual avowal, apparently dragged out of them.
It was almost an anticlimax. And then dead stop. I put these points before
her. She agreed dismally. Bitterly reproached herself for giving way in
Paris to womanish folly; also for deliberately bringing about the morning's
explanation.
"You were cruel--which is utterly unlike you," I said, judicially.
"That horrible green, white and red thing haunted me all night--and that
fat woman bursting out of her clothes. I felt shrivelled up. If only I had
left things as they were!" She harped always on that note. "I thought I
could walk myself out of my morbid frame of mind. Oh yes--you're quite
right--morbid--unlike me. I walked miles and miles. I made up my mind to
return to Paris by the night train. I should never see him again. The whole
thing was dead. Killed. Washed out. I had got back some sense when I ran
into the two of you. It seemed so ghastly to go on talking in that cold,
dry way. I longed to goad him into some sort of expression of himself--to
find the man again. That's why I told him about going to the circus last
night."
She went on in this strain. Presently she said: "I could shed tears of
blood over him. Don't think I'm filled merely with selfish disgust. As
I told him--the pity of it--all that he must have suffered--for he has
suffered, hasn't he?"
"He has gone through Hell," said I.
She was silent for a few moments. Then she said: "What's the good of going
round and round in a circle? You either understand or you don't."
By way of consolation I mendaciously assured her that I understood. I
don't think I understand now. I doubt whether she understood herself.
Her emotions were literally going round and round in a circle, a hideous
merry-go-round with fixed staring features, to be passed and repassed in
the eternal gyration. Horror of Petit Patou. Her love for Lackaday. Madame
Patou. Hatred of Lacka-day. Scorching self-contempt for seeking him out.
Petit Patou and Madame Patou. Lackaday crucified. Infinite pity for
Lackaday. General Lackaday. Old dreams. The lost illusion. The tomb of
love. Horror of Petit Patou--and so _da capo_, endlessly round and
round.
Public-domain text, read in full here on John Shaqi.
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