The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"He doesn't act so," declared Alice, with a laugh. "See, he is
running away."
"Yes, but if the boys catch him he may turn on them--and he may--he
may have a weapon, Alice."
"Don't be silly, Ruth. Paul and Russ are able to look out for
themselves. But how fast that man can run!"
The stranger was indeed making good time across the fields, and Russ
and Paul did not seem to be catching up to him very fast. He had had
a good start.
The other members of the company had gone in a different direction,
and as the chase had started behind the old barn, neither Mr. Pertell
nor any of the others could see what was taking place.
"What had we better do?" asked Ruth, with much anxiety.
"I don't see that we can do anything," replied Alice. "We certainly
can't join in the pursuit."
"No, but we might tell someone--give an alarm," went on Ruth.
"No," decided Alice, after a moment of thought. "I think Russ and
Paul can do better alone. We don't know what that man has done, if
anything, and perhaps when the boys catch up to him he may be able to
offer a perfectly good explanation. Then, in case we had set others
after him, it would not be fair to him. Besides, if you think there
is danger you oughtn't to want any more to share it."
"That is so," agreed Ruth. "Perhaps it will be better to let them try
by themselves."
But Paul and Russ evidently were going to have no easy task in
capturing the mysterious man. He was running well now, and limping
scarcely at all. Either he had feigned it before, or had, in the
meanwhile, recovered from his injury.
The two girls watched the chase until a depression in the fields hid
the three from sight.
"We'd better go back," suggested Ruth, after a bit.
"Yes," agreed Alice, "but we won't tell the others what has
happened."
As it turned out, however, the girls were not able to carry out this
intention. For Mr. Pertell had a new idea in regard to some of the
scenes, and wanted to consult with Russ about it.
"Where is he?" the manager asked, coming from the farmhouse with a
bundle of papers in his hand, after having called a rest period in
the barn-burning rehearsals.
"He's after--that man," replied Alice, hesitatingly, and then she
told what had happened.
"That man again!" cried Sandy Apgar, who overheard what was said.
"He'll not get away this time. I'm goin' after him on a hoss!"
He hurried to the stable, and leaped on the back of one of the
lighter farm animals, not even stopping for a saddle.
"Which way was he headed?" he asked the girls.
Ruth and Alice showed him, and Sandy set off over the fields in a
strange cross-country run, with a man-hunt at the end of it.
There was nothing for the company of players to do but await the
outcome, while the chase was kept up.
Meanwhile, what of Russ, Paul and the mysterious man?
Public-domain text, read in full here on John Shaqi.
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