The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"Oh, Pa, I hate to hear you talk that way," she said, as she put her
trembling hand in his. The old couple made a pathetic picture as
they stood together on the porch of the white house--the house that
had been their home so many years, but out of which they were soon to
be turned by a cruel shift of fate.
"Cheer up!" said Pop Snooks, who had a leisure hour. "It's always
darkest just before dawn, you know. Something may happen to save the
farm for you."
"I'm too old to believe in miracles," replied Mr. Apgar, with a shake
of his head. "Come on in the house, Mother, and we'll begin to pack.
They can't take our things from us, anyhow, though where we'll go the
Lord only knows."
"Why, you won't have to move out, even after the mortgage was
foreclosed," said Alice, as she slipped her arm about the waist of
the trembling old lady. "I heard the sheriff say you could stay on
for some time yet."
"I know, dearie, but it wouldn't be _our_ farm, and Pa and me
wouldn't feel like stayin' when Squire Bladsell owns it. It would be
like livin' on charity. No, we'll go as soon as the sale is over. But
you're a dear, good girl to try and help us."
"They have helped us a lot, Mother--all of 'em!" exclaimed Mr. Apgar.
"You movin' picture folks have been real kind to us, and the money
you paid for the use of the farm come in mighty handy, seein' that
some of the crops wasn't over and above good. Yes, we'll never forget
you--never."
He and his wife turned into the house, and the hired men went about
their tasks.
"I suppose we'll have to wait until Sandy comes back," spoke Mr.
Pertell. "I don't want to set the barn afire until he's here. For,
not only do I want him on hand, as I said, to represent his father,
but I'm depending on him to lead his men, and some of the others, in
an attempt to put out the fire. I want plenty of action in this
scene. So we'll wait."
"I wonder what has happened to him?" mused Ruth. But no one knew.
The carpenter Mr. Pertell had hired to cut away part of the roof
asked if he should set about his task.
"No, I think we'll wait until Sandy comes back," replied the manager.
"You can get all ready, though. Russ, I suppose your camera is in
shape?"
"Oh, yes. In fact I've got two--one for emergencies."
"That's good. Plenty of film on hand?"
"All we'll need, I think."
"Well, then, the only thing to do is to wait."
Meanwhile Sandy was keeping on after the daring and mysterious
fugitive. Fortunately for the young farmer his horse was a
comparatively fleet one, or he would have lost sight of the auto soon
after the strange race began. As it was he managed to keep the
doctor's car in sight for a considerable distance.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account