The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"Don't you remember--the one Mrs. Delamont lost when we were in the
wreck, coming up here. See, there is his name--Rex III. We have found
him for her. How glad she will be!"
"You're right!" exclaimed Paul, after examining the collar. "Here are
the initials 'H. A. D.' Weren't those hers?" he asked of Ruth.
"Yes, I have her name and address," replied the girl. "We must send
her word at once."
"I don't understand how the man got the dog," observed Russ.
"He might have been at the scene of the wreck, and when he saw the
chance he slipped into the baggage car and took Rex," explained
Paul. "I suppose he'll tell about that, if he ever confesses. It's a
queer business all around."
The fine dog seemed to like his new friends, and skipped and frisked
about them as they went back to Oak Farm. And there the dog made his
home, though it would not be for long, since Mrs. Delamont would be
sure to send for her prize pet when she learned where he was.
"Oh, but I shall hate to let you go!" cried Alice, as she put her
arms about the neck of Rex.
"Well, I hope there won't be no more interruptions or delays,"
remarked Mr. Pertell the next day. "We must get that barn-burning
film sure, for I have some other plans to carry out, with winter
coming on."
"You don't mean to say you're going to keep on in this moving picture
business all winter, do you?" asked Mr. Sneed.
"I certainly do," remarked the manager.
"Well, all I've got to say is that we'll freeze to death," went on
the "grouch" in gloomy tones. "You can count me out of it," he added.
"I'm not going to freeze for anybody."
"No one asked you to," replied the manager. "Come now, everyone get
ready for the fire scene. We'll go over it once more, to be sure
we're all right for the final. The roof will be cut and then we'll
touch off the place.
"Sandy, see to it that there are plenty of pails of water for the
bucket brigade. Mr. Bunn, you're to be one of that crowd, you
remember."
"Yes," responded the actor, with a heavy sigh. "I suppose I must
lower my art to the level of the movies. Oh, why did I ever get into
this wretched business?"
Ruth, Alice and the others went out to the old barn. All was in
readiness for the big scene. The ladder for the rescue of the moving
picture girls was in readiness, and Paul and Mr. Sneed made sure that
it was safe.
"Now then, carpenter, up on the roof with you, and cut out that
section so there won't be any doubt but what it will come loose
readily when Paul chops at it with his axe," ordered the manager.
The carpenter began his work. He ascended to the roof by the ladder,
and was soon cutting and sawing away. The others watched him, half
idly, little prepared for the dramatic scene that was to follow. Mr.
and Mrs. Apgar had come out to witness the making of the fire film.
Public-domain text, read in full here on John Shaqi.
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